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Everlong

I don't believe that there is. That might be something DJC should add if it's possible to do.

@DJC: I might throw in a review if I get to the end of this version.

By the way, I noticed some people a few pages back wanted to thank the original creator of the TvTropes page for Everlong. That would be yours truly, although I didn't bother to communicate the new at the time because I wasn't at all sure that I knew what I was doing.

Everlong

Hello! TreasonWall from the Everlong forums here, with the first chunk of extensive free time I've had in quite a while. I just started playing V3.32, and I've got to say that "Hard mode" setting is a really great addition to the game. It feels extremely refreshing to suddenly get torn apart by early bosses like Ull and Belial when I'm so used to walking all over this game with nothing to stop me (I did after all beat Khaer Magnus in two different playthroughs without ever using the new Game+ function in v3.27).

I noticed just about every boss seems to have a way more dangerous moveset than before, too, which makes some fights a lot more interesting than they used to be.
Speaking of that sort of thing, I've read the review section for this game and would like to say that I for one really like all the devious enemy moves such as Reversal, Price of Gold, Backfire, Bloodsong and all the rest and I strongly hope those remain a part of the game forever.

The additional plot points so far are also quite well done, lots of interesting stuff in there.

Anyway, I've reached the Belial fight and noticed two questionable things so far:

- I don't know if this is fixable, but some tiles in Borealis Outpost and in the Underground Tyr-Anox base at Mariner's Landing generate a field terrain during combat. Kind of an immersion breaker.

- A lot of the NPC dialogue in the Herbtown pub has become nonsensical since the map was modified, referencing characters and objects which no longer exist.

Anyway, that's it for now but I'll probably have more remarks to make as I progress through the game.
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