RMN MOVIE CLUB
Posts
I like to think that we can probably wing it. Like if we have suggestions we'll sort of see what happens. I mean if five people are interested I doubt we'll actually need a poll we can just agree. But if we're suddenly twenty active interested parties it's a completely different thing.
What I'm saying is that this most organized organization of organizing does not need to be fully fleshed out until around this time next year. :)
What I'm saying is that this most organized organization of organizing does not need to be fully fleshed out until around this time next year. :)
I only had time to watch Prince Achmed (been busy doing inventory all this month). I had never seen anything like that before! I think that if you had shown me that in 1995 I wouldn't have thought much of it. But now that CGI has become such old hat, its really amazing to think on how they pulled off all of this with only shadows and camera tricks. It makes me wish that some new movie tried this style again. I had a bit of a hard time following what was going on, though. The version I watched didn't have subtitles.
It made me think of artwork on greek vases.
It made me think of artwork on greek vases.
I also liked how Prince Achmed occasionally felt like a sidescroller. Overall though it felt a bit like watching those old East Block cartoons that were always shown on tv when I was younger. (I guess they couldn't afford the american ones, those were always on commercial channels)
But I really liked the transformation scenes. The creation of the flying horse in the beginning and also the battle at the end where the wizard and the witch fight it out. (I read on Wikipedia that the Disney sword in the Stone transformation battle steals a lot of it. And I can see it)
Storywise if felt a bit random. Especially the bit where they suddenly visit the emperor of China. But I also have to admit that I don't think I've read that particular story if it's part of 1001 Nights.
As for Phantom Carriage I was surprisingly impressed by that one too. In both of these movies I found them sort of difficult to get into. Them being so old and the style being so different to what I'm used to. But by the end of the Phantom Carriage I was fully invested in all the stuff and anticipated the resolution. The resolution went where it was supposed to go but for a second I thought it wouldn't. It was also interesting plotwise. With flashbacks within flashbacks. It basically starts more or less where it ends but by the end everything you know about all the characters is completely different.
Of course this is a common story trope in all things these days. But I thought they pulled it off well. I could compare it to I saw Blood Brothers on stage the day before I saw the movie and it too starts off with a situation and then it gives the context for it all and it really works. Of course other than that Phantom Carriage and Blood Brothers have nothing in common. Phantom Carriage has more to do with A Christmas Carol I guess.
The main character is also really good in Phantom Carriage. He is incredibly irredeemable but somehow also very sympathetic.
Another thing I also sort of liked was how, how should I put it. It is a movie set in present day. But its present day is so damn different that just watching that was sort of interesting to me.
But I really liked the transformation scenes. The creation of the flying horse in the beginning and also the battle at the end where the wizard and the witch fight it out. (I read on Wikipedia that the Disney sword in the Stone transformation battle steals a lot of it. And I can see it)
Storywise if felt a bit random. Especially the bit where they suddenly visit the emperor of China. But I also have to admit that I don't think I've read that particular story if it's part of 1001 Nights.
As for Phantom Carriage I was surprisingly impressed by that one too. In both of these movies I found them sort of difficult to get into. Them being so old and the style being so different to what I'm used to. But by the end of the Phantom Carriage I was fully invested in all the stuff and anticipated the resolution. The resolution went where it was supposed to go but for a second I thought it wouldn't. It was also interesting plotwise. With flashbacks within flashbacks. It basically starts more or less where it ends but by the end everything you know about all the characters is completely different.
Of course this is a common story trope in all things these days. But I thought they pulled it off well. I could compare it to I saw Blood Brothers on stage the day before I saw the movie and it too starts off with a situation and then it gives the context for it all and it really works. Of course other than that Phantom Carriage and Blood Brothers have nothing in common. Phantom Carriage has more to do with A Christmas Carol I guess.
The main character is also really good in Phantom Carriage. He is incredibly irredeemable but somehow also very sympathetic.
Another thing I also sort of liked was how, how should I put it. It is a movie set in present day. But its present day is so damn different that just watching that was sort of interesting to me.
I haven't watched Phantom Carriage yet. As for Prince Achmed, I thought this film was simply gorgeous. I've always enjoyed shadow puppetry and this film really takes it to a whole other level. I noticed Reiniger also used sand painting and liquid mixing techniques. I couldn't find an English translation, and I wasn't going to stop every minute to decipher a phrase, so I just watched, and found it was quite enjoyable without the subtitles (my favorite silent films--with a few exceptions--don't have subtitles anyway). Most silent films are made in such a way that you really don't need the subtitles anyway, and this one was no exception.
Scope of the visions of film directors of the 20s never cease to amaze me. Even then, they predicted a time when technology would let film do unimaginable things.
The symbolism really drew me in, and I couldn't help but notice that despite the distinctly Persian flavor of the story, there was a great deal of Scandinavian symbols scattered throughout the film. Reiniger was clearly versed in the history of Germanic magic. Also, the overt symbolism of the tale shouldn't be ignored: Pari Banu, a fairy, falling in love with a mortal prince, renouncing her own magical nature, and marrying the prince, an affirmation of the belief that royalty has divine blood.
It is a real masterwork of the time. The version I saw was on Daily Motion, and the music it was set to was a really nice choice with surprisingly appropriate musical queues in all the right places, though I still would have loved to see this in the theater in 1926 with the live organist playing.
It's a shame that Reiniger was never able to produce anything of this scope and fancy in any of her other works.
Transformation battles are such an old trope in fairy-tales, and this is one of the best animations of a transformation battle I've ever seen. I'm not at all surprised that other animators borrow liberally from this one.
It is, indeed part of the 1001 Nights, The Story of Prince Achmed and the Fairy Paribanou. I think the problem you're having here is the fact that this film is essentially a mashup of Achmed and Paribanou, and Aladdin and His Magic Lamp.
Scope of the visions of film directors of the 20s never cease to amaze me. Even then, they predicted a time when technology would let film do unimaginable things.
The symbolism really drew me in, and I couldn't help but notice that despite the distinctly Persian flavor of the story, there was a great deal of Scandinavian symbols scattered throughout the film. Reiniger was clearly versed in the history of Germanic magic. Also, the overt symbolism of the tale shouldn't be ignored: Pari Banu, a fairy, falling in love with a mortal prince, renouncing her own magical nature, and marrying the prince, an affirmation of the belief that royalty has divine blood.
It is a real masterwork of the time. The version I saw was on Daily Motion, and the music it was set to was a really nice choice with surprisingly appropriate musical queues in all the right places, though I still would have loved to see this in the theater in 1926 with the live organist playing.
It's a shame that Reiniger was never able to produce anything of this scope and fancy in any of her other works.
Shinan
But I really liked the transformation scenes. The creation of the flying horse in the beginning and also the battle at the end where the wizard and the witch fight it out. (I read on Wikipedia that the Disney sword in the Stone transformation battle steals a lot of it. And I can see it)
Transformation battles are such an old trope in fairy-tales, and this is one of the best animations of a transformation battle I've ever seen. I'm not at all surprised that other animators borrow liberally from this one.
Storywise if felt a bit random. Especially the bit where they suddenly visit the emperor of China. But I also have to admit that I don't think I've read that particular story if it's part of 1001 Nights.
It is, indeed part of the 1001 Nights, The Story of Prince Achmed and the Fairy Paribanou. I think the problem you're having here is the fact that this film is essentially a mashup of Achmed and Paribanou, and Aladdin and His Magic Lamp.
So does anyone have suggestions for February movies? Since it's a Leap Year maybe there are some movies where the Leap Year is a theme. Or Valentine's Day movies. I've heard good things about 30s/40s screwball comedies and there's something about dialogue from that era that is very pleasing. But I don't really know what are good ones or so. (a quick wiki-check suggests that there are lots!)
Who said anything about seasonally appropriate viewing?? My suggestion is Hugo.
It's a movie I've wanted to watch for a while now but never had a good excuse to sit down with. I only found out a while ago that its a Sorcesse movie so I'm super interested to see him direct a kid's film. Plus my sister told me that the book was really good.
Also, I've already seen this one so I don't know if its eligible: The Third Man. I would love to hear the club's thoughts on it. I really liked the movie but I don't know if its because its just a superb popcorn flick ala North By Northwest, or if there's something more poignant to it that I'm missing. Take my word for it though: Its terrific.
It's a movie I've wanted to watch for a while now but never had a good excuse to sit down with. I only found out a while ago that its a Sorcesse movie so I'm super interested to see him direct a kid's film. Plus my sister told me that the book was really good.
Also, I've already seen this one so I don't know if its eligible: The Third Man. I would love to hear the club's thoughts on it. I really liked the movie but I don't know if its because its just a superb popcorn flick ala North By Northwest, or if there's something more poignant to it that I'm missing. Take my word for it though: Its terrific.
Oh man I haven't caught up with Hugo myself yet either. It would be a good pick. (Unless literally everyone else has seen it because it was a pretty big film wasn't it...)
The Third Man, I unfortunately have already seen too. I wouldn't mind rewatching it but I guess I'd prefer to watch things I haven't.
Also did anyone ever see War Horse? I love WW1 and I just never did... (Just thought of it because I believe it came out pretty close to Hugo)
The Third Man, I unfortunately have already seen too. I wouldn't mind rewatching it but I guess I'd prefer to watch things I haven't.
Also did anyone ever see War Horse? I love WW1 and I just never did... (Just thought of it because I believe it came out pretty close to Hugo)
Animation counts here, right?
I saw Disney's Robin Hood (the one with the animals made in the '70s) after 10+ years.
I think I enjoyed it even more as an adult than a kid. Like most of Disney's animated works, the film had a nice, feel good charm to it and 'OH GOD SO GOOD' artwork. It had some fantastic performances by the VA's, too, especially Pat Buttram as the Sheriff.
Still, though, I think the 1930's Robin Hood was the best film for me.
I saw Disney's Robin Hood (the one with the animals made in the '70s) after 10+ years.
I think I enjoyed it even more as an adult than a kid. Like most of Disney's animated works, the film had a nice, feel good charm to it and 'OH GOD SO GOOD' artwork. It had some fantastic performances by the VA's, too, especially Pat Buttram as the Sheriff.
Still, though, I think the 1930's Robin Hood was the best film for me.
Alright since the suggestions are really pouring and it's difficult to keep track of them all and since we're halfway through the month already I'll go ahead and arbitrarily decide that February's movie will be Hugo. It's recent enough to be readily available in most places I think.
On a side-thing I might watch Miller's Crossing since the Coens are coming out with a new movie (might already be out in some territories) and cashmerecat posted a Coens video thingy in slack that made me realize I really haven't seen very many of their movies!
On a side-thing I might watch Miller's Crossing since the Coens are coming out with a new movie (might already be out in some territories) and cashmerecat posted a Coens video thingy in slack that made me realize I really haven't seen very many of their movies!
I have enjoyed action movies. The movie that impressed me was Mission Impossible. But watching movies like that is difficult, is watching movies beneficial? I did my research and found that mobdro is a very good application. Mobdro is the world's most popular free application to watch television and movies. Download mobdro 2.1.88 from mobdro provider at: https://mobdrovip.com/mobdro-for-android/
Damn those spambots eh?
Most of movietalk has moved to #media on discord, where we all share our Letterboxd accounts.
A couple of months ago there was even fleeting discussions about (re)starting a movie club.
Most of movietalk has moved to #media on discord, where we all share our Letterboxd accounts.
A couple of months ago there was even fleeting discussions about (re)starting a movie club.
I suppose you could always consider doing the movie club over skype. After all, that would allow one person that owns the copy of a movie to share with others over a group video call. Though, I suppose that requires people to arrange a common time to watch the movie together as well.
Surely no one uses Skype voluntarily anymore. And Discord has its own screen sharing, though I know I personally don't understand the whole "watching a movie online together" thing. Sitting in the same voice chat watching a movie. But that's just because I'm old I guess.
tetrisIt's the first time everything, so I'm clumsy and excited
The memories of those days still look like dreams. Where are you going now?
skribbl io
The memories of those days still look like dreams. Where are you going now?
skribbl io
















