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BluMiu
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Hello! BluMiu here and I'm no stranger to RM as I've been around some years now, off and on due to life and work outside. I'm an artist that's recently gotten back into doing commission work for game makers as well as on my own. Eventually I'd like to work on game after finish writing book and putting together art book, but for now I'd like to explore the other artists on the forums, learn new things for the future and share my own works :)
Hope to see you around!
Hope to see you around!
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BluMiu's Art Dump
Nar Valence concept A
Like all armor made for the Transients, it boasts great magik defense, but because of the nature of Nar's glyph, it absorbs it to a degree. Designed at his request to resemble the deity namesake upon his spear, Ekaitz.
Key
An ooold character from a story that I was planning on. Not now, however, least no plans to salvage.
Osanaga Ubei (yeah, I went there)
Like all armor made for the Transients, it boasts great magik defense, but because of the nature of Nar's glyph, it absorbs it to a degree. Designed at his request to resemble the deity namesake upon his spear, Ekaitz.
Key
An ooold character from a story that I was planning on. Not now, however, least no plans to salvage.
Osanaga Ubei (yeah, I went there)
BluMiu's Art Dump
BluMiu's Art Dump
More character concepts...
Concept for a Penumbra of the highblood in their natural form. This would technically be an ancient Penumbra as it is uncommon for them to have horns the last generation and half. It is believed their connection to the abyss determines how their bodies develops for the first few centuries. The wing span is not the actual size represented above. As in Cachusa's latente concept, it would be doubled (so with the wings gathered round her, they would trail behind her like a gown.
Orion concept A variant 2
Concept for a Penumbra of the highblood in their natural form. This would technically be an ancient Penumbra as it is uncommon for them to have horns the last generation and half. It is believed their connection to the abyss determines how their bodies develops for the first few centuries. The wing span is not the actual size represented above. As in Cachusa's latente concept, it would be doubled (so with the wings gathered round her, they would trail behind her like a gown.
Orion concept A variant 2
Freelance Art Commissions
BluMiu's Art Dump
Rema Merloci concept (Act III)
Act III outfit concepts for Rema through the last part of Innocenza. At least as far as I know. Left to right:
A) Carpace light armor. Armor from Dalomos, it's treated to where soft enough to work, originating from the exoskeleton of a creature native to that land's subterrain. Rema purchased it during her last days with the Kongazewa for a particular mission. B) Rema's casual attire. She's not much of a dresser growing up with one dress and handmedown boy's clothes for play, what she did learn from Miriam is knowing her color. Still keeping with gypsy flare, Rema also is mindful to keep it functional for whatever situation. C) Before setting out to learn what she could in the world, Rema was with her family's gypsy caravan with her mother. She took to dance more seriously and what her mother could teach. Magnolia's best gift to take with her was incorporating Rema's swordplay with the footwork and nimbleness in dance. D) Isalmian infantryman outfit. When Rema proved herself in tournament competition, she earned her place in Isalm's army among the infantry. Gifted what remained of her grandpapa's armor and refurbishing it, she was given mail and and emblem of the kingdom, yet the rest was up to a force typically made up of peasantry.
Rema Merloci/Transient Notte weapon concepts
Lost Children Illustration C
Act III outfit concepts for Rema through the last part of Innocenza. At least as far as I know. Left to right:
A) Carpace light armor. Armor from Dalomos, it's treated to where soft enough to work, originating from the exoskeleton of a creature native to that land's subterrain. Rema purchased it during her last days with the Kongazewa for a particular mission. B) Rema's casual attire. She's not much of a dresser growing up with one dress and handmedown boy's clothes for play, what she did learn from Miriam is knowing her color. Still keeping with gypsy flare, Rema also is mindful to keep it functional for whatever situation. C) Before setting out to learn what she could in the world, Rema was with her family's gypsy caravan with her mother. She took to dance more seriously and what her mother could teach. Magnolia's best gift to take with her was incorporating Rema's swordplay with the footwork and nimbleness in dance. D) Isalmian infantryman outfit. When Rema proved herself in tournament competition, she earned her place in Isalm's army among the infantry. Gifted what remained of her grandpapa's armor and refurbishing it, she was given mail and and emblem of the kingdom, yet the rest was up to a force typically made up of peasantry.
Rema Merloci/Transient Notte weapon concepts
Lost Children Illustration C
BluMiu's Art Dump
Illustrations and concepts...
"Silver Lining" short story illustrations
Innocenza Chapter Illustration~revamp
Magnolia Merloci
Rema Merloci (Sellsword) concepts
Alastor
"Silver Lining" short story illustrations
Innocenza Chapter Illustration~revamp
Magnolia Merloci
Rema Merloci (Sellsword) concepts
Alastor
My pixel arts
Freelance Art Commissions
Freelance Art Commissions
Rema Merloci concepts 1 & 2
Act III outfit concepts for Rema through the last part of Innocenza. At least as far as I know. Left to right:
A) Carpace light armor. Armor from Dalomos, it's treated to where soft enough to work, originating from the exoskeleton of a creature native to that land's subterrain. Rema purchased it during her last days with the Kongazewa for a particular mission. B) Rema's casual attire. She's not much of a dresser growing up with one dress and handmedown boy's clothes for play, what she did learn from Miriam is knowing her color. Still keeping with gypsy flare, Rema also is mindful to keep it functional for whatever situation. C) Before setting out to learn what she could in the world, Rema was with her family's gypsy caravan with her mother. She took to dance more seriously and what her mother could teach. Magnolia's best gift to take with her was incorporating Rema's swordplay with the footwork and nimbleness in dance. D) Isalmian infantryman outfit. When Rema proved herself in tournament competition, she earned her place in Isalm's army among the infantry. Gifted what remained of her grandpapa's armor and refurbishing it, she was given mail and and emblem of the kingdom, yet the rest was up to a force typically made up of peasantry.
Act III outfit concepts for Rema through the last part of Innocenza. At least as far as I know. Left to right:
A) Carpace light armor. Armor from Dalomos, it's treated to where soft enough to work, originating from the exoskeleton of a creature native to that land's subterrain. Rema purchased it during her last days with the Kongazewa for a particular mission. B) Rema's casual attire. She's not much of a dresser growing up with one dress and handmedown boy's clothes for play, what she did learn from Miriam is knowing her color. Still keeping with gypsy flare, Rema also is mindful to keep it functional for whatever situation. C) Before setting out to learn what she could in the world, Rema was with her family's gypsy caravan with her mother. She took to dance more seriously and what her mother could teach. Magnolia's best gift to take with her was incorporating Rema's swordplay with the footwork and nimbleness in dance. D) Isalmian infantryman outfit. When Rema proved herself in tournament competition, she earned her place in Isalm's army among the infantry. Gifted what remained of her grandpapa's armor and refurbishing it, she was given mail and and emblem of the kingdom, yet the rest was up to a force typically made up of peasantry.
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