BULMABRIEFS144'S PROFILE

Btw, is the fact that your game is near the top of the list a sign of update (as in, have you made a newer version than the one I've got)? I'm not sure how the system works, since I'm from rpgrevolution for awhile.

Well, I play for the full effect. If it doesn't bowl me over, or if I find a glitch within the first ten minutes, I usually lose interest. I, naturally, fully expect others to do the same for any game I make.

I think because that had working for it that it was a Halloween game.

Why aren't I playing it right now? Because I don't have VX, and can't load it. Pretty much sums things up.

My main purpose of making tree circles was utility (creating walls or scenery to a forest scene). The only other instance would be where the laws of symmetry dictate that the scene would look odd without it (having a bunch of trees in a straight line is much weirder than circles, which occasionally grow like that).

Hmmm, I honestly don't know how to describe the main character in that RPG. It was too driven by events, so the characters had no depth, because they didn't really act in the scenes, the scene just happened. But then, it couldn't be defined as event-driven either because the events were few and far between (so it kinda sucked on both counts, possibly the reason I'm always talking about a new game, I'm trying to apologize for the mess it apparently is). She doesn't really go with silent hero, cause she talks every now and then, and usually has something fierce to say. You couldn't technically put her in the category of tomboy either, because as there are times she's outspoken and aggressive, she can also be the reverse. Everyone has someone they like, and hate. But an undefined character is more difficult to like.

That said, having played the Love and War game, the thing that draws me to it, is that one of the characters is a wishy-washy guy. BUT, character development actually worked to his favor. Wishy-washy characters that are at least known as such, stand for not standing for much of anything, which becomes a sort of odd way of filling in a realistic character. Even cliche characters, if given good character development, can come out okay (mebbe not likeable). Case in point, Atelier Iris (a professional game) there is a knight, who more or less acts as an overzealous jerk. Hardly new there, but they build on his history, give him a wife and a much more laid back sister, and a group of soldiers named by German numbers. Ultimately, he becomes distinct. What I seriously need to work on is character development, not replacing the characters themselves (this game is a lost cause though). The characters that I choose I have to identify with ("write what you know") or else they are equally flat.