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Creative Writings
Here's a place to post and comment on creative writing... You're welcome to do either. I will confine my writings to this, going forward.
The Shape of Iniquity
Act I
“A person who takes the shape of something else entirely is not a person; it is a thing,” Marlon Bottoms said, sounding his famous monologue in front of the Goodman Theatre. He turned from the audience and turned back again a foot and a half shorter. They gasped and murmured as the six foot two, chunky, clean-shaven, suit wearing man now trolled about the Masonite hardboard floor wearing skin yellow as sickness and bushy hair and eyebrows like a cave man and black lips like ink running from a busted pen.
His voice stayed close to Marlon’s but took on the mood of naivety mixed with pain that matched his eyes. “Hi, my name’s Orrick and this day was a bit different than some others in that something special happened to me at school but just the same as the others in that I just got home from school to see my Memmi.” He, then, humping over as if he carried a back pack, pushed back an imaginary door and made the clicking sound of its closing. “Memmi, I want to read the Bible. The preacher in the school chapel says God likes it. He said we can be like the angels. Today, they even did an alter call, and, Memmi, I just wanted to go up there—up there right next to Emmy in her shiny white choir robe and hold her hand and squeeze all the love right out of it!”
Marlon kept some masculinity in his voice but took on Memmi’s form when he turned right and grew a long tail and long grey hair, and then scolded with a hovering presence, “What’d I tell you about love, Orrick!”
Marlon turned left and became the child again and coward a few steps back. “You said it’s our weakest instinct.”
Marlon felt, coming from the theatre’s darkness, the crowd leaning in with wonder Then, Marlon was the mother saying, “And what does that mean?”
Then he was the young, shamed monster saying, “that I shouldn’t care what anybody thinks about me…”
Next, he morphed back into Memmi, saying, “So what are you going to never, ever do, Orrick?”
“Hold Emmy’s hand. Read the Bible. Pray.”
Finally, Marlon, as the mother cried, “now go get me some human to eat. I’m hungry for thighs!”
Act II
Marlon turned from the audience again and back towards them. He stood once more as the narrator. With not a hair un-gelled from the first act, he embraced the audience, once more. With hands folded behind his back, he said, “Young Orrick did read the Bible, though. And when he did, he learned of the human kind, too. He learned them to be born in sin and shaped into iniquity. In Norwich, Connecticut this scripture couldn’t be truer than it was for one Detective Jude Hawkeye. “
At what Marlon did next, the dark theatre responded with a second of silence that comes with a collective adjustment of the eyes to a new perception. And then the half of those seated who first grasped what they saw with “oohs and ahs” awakened the others. For what was seen was Marlon’s body narrowing, his three-piece suit turning to a long navy coat, his slick hair lightening in color and growing to a long unkept greasy look. And, alas, they saw without him turning from them, his face tanning, his nose widening, and a beard growing from his face!
He stepped forward in the light of the painted black stage. “Hello, all,” the man said with Marlon’s protraction but using another man’s deeper, slower Mid-Western plain way of speaking and using that man’s very soul. Marlon bellowed, “I’m Detective Jude Hawkeye, and this is Nineteen Ninety-Seven Norwich, the headquarters of gun manufacturer Wrangler and Rich. I just made the drive on my own dime from Chicago to here, seeking to avenge a series of murders and cannibalisms in my city. I’m chasing leads my department would never promote—leads as a skeptic, I never thought I would...
Without a backdrop of an elevator on stage, to the audience Marlon breathed life to the scene of Jude going up the sky scraper. He traced his finger up and down the many choices of floors and found his selection at the top. He pressed the air, as if it were a button. While looking down with his long hair opening to expose enough face to show a look as serious as a family income, he used his voice to create the sound cables make to lift the elevator. He made a ding as some passersby got off. He stepped aside for the invisible individuals and made another ding as the doors closed to allow him to continue his ascent. When Jude reached his selected floor, he moved through without struggle, as if he were the last person on.
When walking through the doors, he talked to the audience again. “Before I detail my visit with Harvey Whitman, CEO of Wrangler and Rich, I’m bound to uncover the lead that got me here. It kind of started coming to a head back in Chicago at the Hotel Monica when myself and a Broadway actress who I met at the ‘FM 98’ radio station had a conversation on the balcony over the view of Lake Michigan. He made a careful step forward and stood quietly while creating the sounds of waves and of wind with his mouth.
“You need a coat…” He said.
Then Marlon side stepped, shrunk three inches, and turned from being Jude to be a short haired blonde with luscious eyes and lips that looked up where Jude had been standing. With every trace of a woman but only with Marlon’s voice, she said “I like to feel the wind for everything it has.” They paused for a moment with only the sound of weather and water, coming from her mouth. The woman folded her arms to the cold. “So, if you think Sam Hansen is such a lunatic, then why did you come on his station?”
Marlon sidestepped to the left and he was, again, Jude watching over the lake. He looked ahead but let a smile for her betray the hardness of his shell. “To tell you the truth I didn’t know him, not a damn thing about him. I just wanted to get this case out. If I knew he just wanted to promote conspiracy theories—Kristina, what I want to know is how a such a talented, artistic person like you got mixed in with all his conspiracy theories!”
With a slide to the right from Marlon, Kristina looked at Jude with her blue eyes. “Don’t act like you know me. Don’t act like you know—every darn thing, either!”
“C’mon!” Marlon said as Jude facing where Kristina would be standing. He made fun of Sam with a Texan accent, “My name's Sam Hansen and let me tell you folks what’s happening here. The shapeshifters have infiltrated the city of Chicago. That’s why we got this crime rate! That’s why we got people shooting each other for no reason! That’s why we have these people eating each other!”
And as Kristina, Marlon said to the now invisible Jude. “You have any better ideas, Detective?” She smiled with eyes looking tired and traced her finger down what would be Jude’s upper torso.
As Jude, Marlon turned ahead and pulled out an invisible cigarette and put on a struggle against the wind to light it. It felt like his fight against where the facts led him. He put his arm around the air that was now Kristina. “That Sam guy yells like a crazy man, makes up crazy horseshit. Don’t you think he just wants attention... That's why you go on about him so fuckin’ much! He’s like you. You have to have an audience, to feel accepted…”
As Kristina, Marlon pushed Jude off. “I keep telling you. You don’t damn well know me!” She pulled the imaginary doors apart and walked from the balcony to the room.
As Jude, Marlon went about smoking, saying “I guess it’s better to walk off the balcony from that end… And Kristina was right. I didn’t know her. But she didn’t know me either. During our fling, she accused me of having an easy life. Fuck her! I was raised by alcoholics and didn’t do school social events when I grew up. Except that one time. My first girlfriend, Becky Sands, talked me into attendin’ one of the basketball games, our team, the Jaguars played. This tall clean point guard for our team, Joel Conner, made the steal, dribbled the ball down the court, made the pass that led to our team winning.
Ha! “Our team.” Other than that night, I don’t know or give a fuck about how the Jaguars did. I just remember her saying,” and Marlon’s voice went to a high-pitched teen girl. “Oh, look at Joel’s dad out there hugging him. Why don’t you play sports like Joel, Jude?”
When she tried hugging me, I grabbed her wrists to refrain her. She told everybody I squeezed her, that I hurt her. I knew what my dad smelled like when he came home, the nonsense that came out his mouth. I knew I’d never be fuckin’ Joel.
And things didn’t get better with me and Kristina or me and any other woman than they did with Becky. Fuckin’ Kristina said I didn’t know her. Damn right, I didn’t know what a conspiracy theorist she was; that she was a member of the goddamn NRA, or that she was a republican that wanted to impeach the President. But she always carried that dramatic tone with dramatic words—that tone and those empty words. Marlon’s voice went from Jude’s to that of Kristina as he mocked her, saying “to assume the intent of another’s heart is to admit the shortcomings of yours. You’re insecure, Jude. Just go. Go make yourself a hero!”
“Jude” looked at the audience while tapping his invisible cigarette against the invisible rails of the balcony. He turned about and stepped forward on stage, presumably towards Harvey Whitman’s office. “Now, you can imagine I’m a man with an ego, but one thing bigger is this: facts. I wouldn’t be good at what I do, if I didn’t follow them. There was a series of cannibalisms in my city. One survivor testified of being chased by two things with ski masks and pepper spray in Chinatown outside Walgreens at 3:00 am. This strong Korean lady got away with all her flesh but some of her upper arm she lost to a bite. She had hairs from her attackers left on her. Forensic tests showed these hairs didn’t belong to human or animals known to us. The bite, also, was other worldly they said. But we found surveillance from a supermarket of humans, a mom and son, in trench coats buying the masks and the pepper spray.
The Korean woman said she saw what looked like yellow skin. These cannibals are mother and son, sophisticated but animalistic, mankind but beasts? Long after Kristina left, her theories stayed with me and so did her contacts. One contact being Mr. Whitman and one theory being that of a secret bullet manufactured at Wrangler and Rich, a bullet made just to undo shape shifters.
To Be Continued
The Shape of Iniquity
Act I
“A person who takes the shape of something else entirely is not a person; it is a thing,” Marlon Bottoms said, sounding his famous monologue in front of the Goodman Theatre. He turned from the audience and turned back again a foot and a half shorter. They gasped and murmured as the six foot two, chunky, clean-shaven, suit wearing man now trolled about the Masonite hardboard floor wearing skin yellow as sickness and bushy hair and eyebrows like a cave man and black lips like ink running from a busted pen.
His voice stayed close to Marlon’s but took on the mood of naivety mixed with pain that matched his eyes. “Hi, my name’s Orrick and this day was a bit different than some others in that something special happened to me at school but just the same as the others in that I just got home from school to see my Memmi.” He, then, humping over as if he carried a back pack, pushed back an imaginary door and made the clicking sound of its closing. “Memmi, I want to read the Bible. The preacher in the school chapel says God likes it. He said we can be like the angels. Today, they even did an alter call, and, Memmi, I just wanted to go up there—up there right next to Emmy in her shiny white choir robe and hold her hand and squeeze all the love right out of it!”
Marlon kept some masculinity in his voice but took on Memmi’s form when he turned right and grew a long tail and long grey hair, and then scolded with a hovering presence, “What’d I tell you about love, Orrick!”
Marlon turned left and became the child again and coward a few steps back. “You said it’s our weakest instinct.”
Marlon felt, coming from the theatre’s darkness, the crowd leaning in with wonder Then, Marlon was the mother saying, “And what does that mean?”
Then he was the young, shamed monster saying, “that I shouldn’t care what anybody thinks about me…”
Next, he morphed back into Memmi, saying, “So what are you going to never, ever do, Orrick?”
“Hold Emmy’s hand. Read the Bible. Pray.”
Finally, Marlon, as the mother cried, “now go get me some human to eat. I’m hungry for thighs!”
Act II
Marlon turned from the audience again and back towards them. He stood once more as the narrator. With not a hair un-gelled from the first act, he embraced the audience, once more. With hands folded behind his back, he said, “Young Orrick did read the Bible, though. And when he did, he learned of the human kind, too. He learned them to be born in sin and shaped into iniquity. In Norwich, Connecticut this scripture couldn’t be truer than it was for one Detective Jude Hawkeye. “
At what Marlon did next, the dark theatre responded with a second of silence that comes with a collective adjustment of the eyes to a new perception. And then the half of those seated who first grasped what they saw with “oohs and ahs” awakened the others. For what was seen was Marlon’s body narrowing, his three-piece suit turning to a long navy coat, his slick hair lightening in color and growing to a long unkept greasy look. And, alas, they saw without him turning from them, his face tanning, his nose widening, and a beard growing from his face!
He stepped forward in the light of the painted black stage. “Hello, all,” the man said with Marlon’s protraction but using another man’s deeper, slower Mid-Western plain way of speaking and using that man’s very soul. Marlon bellowed, “I’m Detective Jude Hawkeye, and this is Nineteen Ninety-Seven Norwich, the headquarters of gun manufacturer Wrangler and Rich. I just made the drive on my own dime from Chicago to here, seeking to avenge a series of murders and cannibalisms in my city. I’m chasing leads my department would never promote—leads as a skeptic, I never thought I would...
Without a backdrop of an elevator on stage, to the audience Marlon breathed life to the scene of Jude going up the sky scraper. He traced his finger up and down the many choices of floors and found his selection at the top. He pressed the air, as if it were a button. While looking down with his long hair opening to expose enough face to show a look as serious as a family income, he used his voice to create the sound cables make to lift the elevator. He made a ding as some passersby got off. He stepped aside for the invisible individuals and made another ding as the doors closed to allow him to continue his ascent. When Jude reached his selected floor, he moved through without struggle, as if he were the last person on.
When walking through the doors, he talked to the audience again. “Before I detail my visit with Harvey Whitman, CEO of Wrangler and Rich, I’m bound to uncover the lead that got me here. It kind of started coming to a head back in Chicago at the Hotel Monica when myself and a Broadway actress who I met at the ‘FM 98’ radio station had a conversation on the balcony over the view of Lake Michigan. He made a careful step forward and stood quietly while creating the sounds of waves and of wind with his mouth.
“You need a coat…” He said.
Then Marlon side stepped, shrunk three inches, and turned from being Jude to be a short haired blonde with luscious eyes and lips that looked up where Jude had been standing. With every trace of a woman but only with Marlon’s voice, she said “I like to feel the wind for everything it has.” They paused for a moment with only the sound of weather and water, coming from her mouth. The woman folded her arms to the cold. “So, if you think Sam Hansen is such a lunatic, then why did you come on his station?”
Marlon sidestepped to the left and he was, again, Jude watching over the lake. He looked ahead but let a smile for her betray the hardness of his shell. “To tell you the truth I didn’t know him, not a damn thing about him. I just wanted to get this case out. If I knew he just wanted to promote conspiracy theories—Kristina, what I want to know is how a such a talented, artistic person like you got mixed in with all his conspiracy theories!”
With a slide to the right from Marlon, Kristina looked at Jude with her blue eyes. “Don’t act like you know me. Don’t act like you know—every darn thing, either!”
“C’mon!” Marlon said as Jude facing where Kristina would be standing. He made fun of Sam with a Texan accent, “My name's Sam Hansen and let me tell you folks what’s happening here. The shapeshifters have infiltrated the city of Chicago. That’s why we got this crime rate! That’s why we got people shooting each other for no reason! That’s why we have these people eating each other!”
And as Kristina, Marlon said to the now invisible Jude. “You have any better ideas, Detective?” She smiled with eyes looking tired and traced her finger down what would be Jude’s upper torso.
As Jude, Marlon turned ahead and pulled out an invisible cigarette and put on a struggle against the wind to light it. It felt like his fight against where the facts led him. He put his arm around the air that was now Kristina. “That Sam guy yells like a crazy man, makes up crazy horseshit. Don’t you think he just wants attention... That's why you go on about him so fuckin’ much! He’s like you. You have to have an audience, to feel accepted…”
As Kristina, Marlon pushed Jude off. “I keep telling you. You don’t damn well know me!” She pulled the imaginary doors apart and walked from the balcony to the room.
As Jude, Marlon went about smoking, saying “I guess it’s better to walk off the balcony from that end… And Kristina was right. I didn’t know her. But she didn’t know me either. During our fling, she accused me of having an easy life. Fuck her! I was raised by alcoholics and didn’t do school social events when I grew up. Except that one time. My first girlfriend, Becky Sands, talked me into attendin’ one of the basketball games, our team, the Jaguars played. This tall clean point guard for our team, Joel Conner, made the steal, dribbled the ball down the court, made the pass that led to our team winning.
Ha! “Our team.” Other than that night, I don’t know or give a fuck about how the Jaguars did. I just remember her saying,” and Marlon’s voice went to a high-pitched teen girl. “Oh, look at Joel’s dad out there hugging him. Why don’t you play sports like Joel, Jude?”
When she tried hugging me, I grabbed her wrists to refrain her. She told everybody I squeezed her, that I hurt her. I knew what my dad smelled like when he came home, the nonsense that came out his mouth. I knew I’d never be fuckin’ Joel.
And things didn’t get better with me and Kristina or me and any other woman than they did with Becky. Fuckin’ Kristina said I didn’t know her. Damn right, I didn’t know what a conspiracy theorist she was; that she was a member of the goddamn NRA, or that she was a republican that wanted to impeach the President. But she always carried that dramatic tone with dramatic words—that tone and those empty words. Marlon’s voice went from Jude’s to that of Kristina as he mocked her, saying “to assume the intent of another’s heart is to admit the shortcomings of yours. You’re insecure, Jude. Just go. Go make yourself a hero!”
“Jude” looked at the audience while tapping his invisible cigarette against the invisible rails of the balcony. He turned about and stepped forward on stage, presumably towards Harvey Whitman’s office. “Now, you can imagine I’m a man with an ego, but one thing bigger is this: facts. I wouldn’t be good at what I do, if I didn’t follow them. There was a series of cannibalisms in my city. One survivor testified of being chased by two things with ski masks and pepper spray in Chinatown outside Walgreens at 3:00 am. This strong Korean lady got away with all her flesh but some of her upper arm she lost to a bite. She had hairs from her attackers left on her. Forensic tests showed these hairs didn’t belong to human or animals known to us. The bite, also, was other worldly they said. But we found surveillance from a supermarket of humans, a mom and son, in trench coats buying the masks and the pepper spray.
The Korean woman said she saw what looked like yellow skin. These cannibals are mother and son, sophisticated but animalistic, mankind but beasts? Long after Kristina left, her theories stayed with me and so did her contacts. One contact being Mr. Whitman and one theory being that of a secret bullet manufactured at Wrangler and Rich, a bullet made just to undo shape shifters.
To Be Continued
Ladies and Gentlemen,Time Limit Has Expired
Minutes 60-50:
When the bell rings, the fan observes the champion, Ric Flair, emitting selfishness with just an expression and a swallow—that frown on the champ with the cleft underneath moving in slow motion. Then, the fan turns his attention to Barry, on the other end of the ring, bouncing his long (or maybe lanky) youth off the ropes.
The fan shouldn’t be there. But he sits his ass against the hard chair, anyway, and yells like there’s no tomorrow. He yells in protest of a tomorrow coming.
He remembers laughing on the beach with Joan, holding the sand in his hand. With it slipping through his fingers, he squeezed some of it just as hard as he could.
She laughed and said, “You can’t hold that forever, you know!”
He doesn’t have words to describe the ocean. He can’t remember Miami well enough. Too much booze, too much fun, and too many years had passed, and it all passed like flashes. Still, he remembers in a lust filled moment of hugging her, in her string bikini, saying the dumbest thing. He said, “Maybe, I’ll put it in a jar.”
“We didn’t bring a jar, silly!” she told him in Miami.
He drinks more bud out of the plastic cup. He shouldn’t be buying a beer that expensive. Brad fired him after 13 and ½ years, but he bought this ticket before he knew he couldn’t afford it! It’s funny how money in the bank begins to spend away when there’s no check being deposited. He sits there wondering if Joan will be there when he gets back, wondering if she’ll take the dog, little Nina, away with her. “I refuse to walk that dog in her little dress.” He said to Joan. “I don’t want to look like a queer!” One thing he knew; his hero, Bob Windham, wouldn’t walk a Jack Russel in a tutu.
Flair and Barry Windham taunt him, as Flair struts instead of locking up with Barry.
“Go, Barry! Go Barry!” He shouts. He thinks Barry’s eyes met his, but he was probably just looking in his direction. Barry, the son of Black Jack, could really do what his father never did; become World Champion! Flair tells the stranger sitting next to him to shut up; calls him fat. The guy in his “American Dream” hat seems embarrassed but smiles, anyway.
He prefers a golden retriever over a Jack Russel, like Nina, but over time she won his heart over with her constant tail wagging and her embracing when he use to get home from work. Oh, that’s right, work—how will he afford all her shots? The hardest thing he had to tell Joan—ever— was, “Brad Whitley sat across from me, today, somber faced, and leaned in and said, ‘we just think it’s best for both parties if we go separate directions.’” Lately, Joan’s done something he’d never seen her do, drink tequila straight. She never drank it straight, but she takes it that way now with the last of their savings like it’s the end of the world. He wonders if she’d be there when he gets home. She demanded that he return the ticket, but there weren’t refunds.
As Flair wrenches at Barry’s head with the side headlock, he hopes the match lasts forever. He doesn’t want to go back to life outside it.
“We didn’t bring a jar, silly.” She told him in Miami.
Minutes 50-45
Barry rolls Flair over, and Flair kicks out at two. He rolls him up twice more. The fans cheer and Barry feels them in his hands. With sweat already making his hair a darker blonde, he slips out and locks Flair’s head with his own head lock. He has a wedgie and he doesn’t care. He won’t let this moment slip through the cracks. So many women: and he can’t wait for the party tonight.
He hooks Flair’s head, fast and loosely.
Minutes 45-40
The fan looks at the guy with the Dusty hat next to him just smiling. Next to the other guy there’s an empty seat. Strange, it was for seats that close to ringside to be empty. Flair had just wiggled out of the head lock and jerked Barry legs, then pointed right at the guy, and said “Shut up, fat boy!” That marked the second time in only 15 minutes Ric Flair berated this man. Why does Flair keep yelling at this guy? He hasn’t made a peep the entire match?
“Hey!” He said to the man. “You just gonna let him talk to you like that?”
The man kept smiling, lying back. “It’s ok. I just want to enjoy it. Was supposed to bring my buddy with me tonight…”
The empty seat where that man’s buddy should be wasn’t lost on the fan.
“I lost him, unexpectedly. He use to drink so much and I learned to pick him up, ya know.” The fan continued in a daze, looking ahead. “I lifted at the knees and just pulled as quickly as I could and helped him to the car. Lost him to a heart attack. I think of his weight in my arms and the life that use to be inside it all.” The man in the Dusty hat said.
The fan replied, “Sorry to hear.” They both looked ahead not facing each other. However, the fan just thought of one word “sand.” This Dusty fan’s friend had just slipped through his arms, too soon.
“We didn’t bring a jar, silly.” Joan, once, told him in Miami.
Minutes 40-30.
Flair wrestles with the best ways to make Barry look good. The crowd silences. They need something more. If he makes Windham look good, Florida will want him to stay champ. He doesn’t want to ever give it back to Dusty or Harley. This has to be his time. “Put your arms around me,” Flair whispers. “Turn on your knees, mount your feet to the ground, push up slowly— I said slowly— you’re going too fast. Ok good you got it! Now, back-body drop me!” Flair fills himself slipping through the sweat in Barry’s arms and continues, “Hurry up! Make it fast!” Flair feels the hard canvas and bounces just a bit. He screams and holds on to the scream as long as his voice allows. In return, the fans cheer for as long as they can.
But nobody brought a jar.
Minutes 30-20
The fan forgets it all: the lost job, the failing marriage, the dog. In minutes 30 to 20 he lives inside cross body blocks and flip overs. Inside cradles and counters. Will Flair pin Barry? No! He can’t! Barry keeps kicking out! It’s like a basketball game, Barry gets the ball and right when he gets to the rim, Flair fouls him or makes the steal from him. It’s back and forth! The guy in the Dusty hat, next to him, loosens his pants to breathe. Barry goes behind Flair and rolls him up. 1, 2, and 2 and ½! In ½ seconds Barry of done what his favorite, Black Jack, never did; win the belt! But the match still has 20 minutes left before curfew; Barry still has time!
Minutes 20-10:
“Let’s end it a bit early tonight, Ric. Let’s hit the town. You only live once!” Barry whispers, breathing heavily as Flair stretches his abdominal.
“Do you hear these people,” Flair says, “They’re chanting your name!”
Barry can’t see anything but Flair’s foot in a blur. He rocks Flair forward a couple of times just to hear the crowd, again.
“You’re dad’s standing,” Flair says, “Standing! Matches like this don’t happen at every house.”
Barry chuckles to himself. For him this is just the beginning. It’s just one more marathon with Ric...He knows his best days will come in time.
Minutes 10-1:
Then, Flair feels the frequency of his high scream for as long as he can feel it as Windham reverses the adnominal stretch with a hip toss. As he sees the body approach him quickly, he halts time and the fans cheers as he bends at the knees and lifts Widham up for an atomic drop. He lost the time between the atomic drop and the figure four, but yelled profanity’s at Windham on the outside and smiled on the inside as he applied more and more pressure. “Yes,” he thought. “They love Barry. I’ve done it!
Neither Harley nor Dusty could do this!” He doubted himself before, but as he a rolled on his stomach and screamed like he was being pushed to the gas chamber, he never felt better about his fate.
He let Barry loose. Then, he heard the fans count the seconds until he mounted, with the assistance of the ropes, to his feet. He stood and woo’d and smiled at the boos. He walks over to Barry to hook him one more time, but Barry inside cradles him. With ring awareness being his only sight, the 60 minute man knows what 2 and ¾’s of a second felt like and kicks out just at it.
He throws Barry off the ropes and locks a sleeper, but knowing he only has 4 minutes left, he doesn’t hold on too long. He whispers to Barry, “I’m going to let you go, but you have to hit the best lariat of your life. Knock me to the other side of the ring, punk!”
At Barry’s feigned strength Flair feels he bounce off the ropes and feels Barry’s arm across his lip. At 2 and 3 quarters of a referees slap against the mat, Flair places his foot across the bottom rope.
The two mount to their feet run off opposite side. Things got blurry for Flair as Windham’s head hits his. He’s finally tiring down and hope the referee counts slowly as they lay on the mat. With less than 60 minutes to go he feels his body his the canvas with sunset flips and rolls ups.
He can’t go any longer. They’ve pushed too long. But, then, then the official got on the mat and counted, then whispered 6 seconds left. Flair quickly grabbed Barry’s slippery locks and call bulldog. He felt little as Barry kicked near his gut, grabbed his hair, locked him into darkness, ran with him, and dropped him on his nose. The referee slapped the mat just once and the bell rang...
In the left corner, lay flair holding just ten pounds over his tired body. For him the urgency of the moment means everything. He has to make this 3rd title rein the best. He has to be better than Harley, than Dusty, than Kiniski, than Brisco even. He breathes at ease, knowing he’s learned how to do it.
In the right corner, Barry tries his best to show disappointment. His dad told him to be patient. His years would come, he thought to himself, but tonight’s the party.
In the crowd, the fan hears the boos for Flair and the chants for Barry, but anxiety locks him in a hold. He feels for the man next to him, who lost his buddy forever, but like many fans before him and after him, the stalling can’t last forever. The time limit has expired, and now he must wrestle being a grown man.
When the bell rings, the fan observes the champion, Ric Flair, emitting selfishness with just an expression and a swallow—that frown on the champ with the cleft underneath moving in slow motion. Then, the fan turns his attention to Barry, on the other end of the ring, bouncing his long (or maybe lanky) youth off the ropes.
The fan shouldn’t be there. But he sits his ass against the hard chair, anyway, and yells like there’s no tomorrow. He yells in protest of a tomorrow coming.
He remembers laughing on the beach with Joan, holding the sand in his hand. With it slipping through his fingers, he squeezed some of it just as hard as he could.
She laughed and said, “You can’t hold that forever, you know!”
He doesn’t have words to describe the ocean. He can’t remember Miami well enough. Too much booze, too much fun, and too many years had passed, and it all passed like flashes. Still, he remembers in a lust filled moment of hugging her, in her string bikini, saying the dumbest thing. He said, “Maybe, I’ll put it in a jar.”
“We didn’t bring a jar, silly!” she told him in Miami.
He drinks more bud out of the plastic cup. He shouldn’t be buying a beer that expensive. Brad fired him after 13 and ½ years, but he bought this ticket before he knew he couldn’t afford it! It’s funny how money in the bank begins to spend away when there’s no check being deposited. He sits there wondering if Joan will be there when he gets back, wondering if she’ll take the dog, little Nina, away with her. “I refuse to walk that dog in her little dress.” He said to Joan. “I don’t want to look like a queer!” One thing he knew; his hero, Bob Windham, wouldn’t walk a Jack Russel in a tutu.
Flair and Barry Windham taunt him, as Flair struts instead of locking up with Barry.
“Go, Barry! Go Barry!” He shouts. He thinks Barry’s eyes met his, but he was probably just looking in his direction. Barry, the son of Black Jack, could really do what his father never did; become World Champion! Flair tells the stranger sitting next to him to shut up; calls him fat. The guy in his “American Dream” hat seems embarrassed but smiles, anyway.
He prefers a golden retriever over a Jack Russel, like Nina, but over time she won his heart over with her constant tail wagging and her embracing when he use to get home from work. Oh, that’s right, work—how will he afford all her shots? The hardest thing he had to tell Joan—ever— was, “Brad Whitley sat across from me, today, somber faced, and leaned in and said, ‘we just think it’s best for both parties if we go separate directions.’” Lately, Joan’s done something he’d never seen her do, drink tequila straight. She never drank it straight, but she takes it that way now with the last of their savings like it’s the end of the world. He wonders if she’d be there when he gets home. She demanded that he return the ticket, but there weren’t refunds.
As Flair wrenches at Barry’s head with the side headlock, he hopes the match lasts forever. He doesn’t want to go back to life outside it.
“We didn’t bring a jar, silly.” She told him in Miami.
Minutes 50-45
Barry rolls Flair over, and Flair kicks out at two. He rolls him up twice more. The fans cheer and Barry feels them in his hands. With sweat already making his hair a darker blonde, he slips out and locks Flair’s head with his own head lock. He has a wedgie and he doesn’t care. He won’t let this moment slip through the cracks. So many women: and he can’t wait for the party tonight.
He hooks Flair’s head, fast and loosely.
Minutes 45-40
The fan looks at the guy with the Dusty hat next to him just smiling. Next to the other guy there’s an empty seat. Strange, it was for seats that close to ringside to be empty. Flair had just wiggled out of the head lock and jerked Barry legs, then pointed right at the guy, and said “Shut up, fat boy!” That marked the second time in only 15 minutes Ric Flair berated this man. Why does Flair keep yelling at this guy? He hasn’t made a peep the entire match?
“Hey!” He said to the man. “You just gonna let him talk to you like that?”
The man kept smiling, lying back. “It’s ok. I just want to enjoy it. Was supposed to bring my buddy with me tonight…”
The empty seat where that man’s buddy should be wasn’t lost on the fan.
“I lost him, unexpectedly. He use to drink so much and I learned to pick him up, ya know.” The fan continued in a daze, looking ahead. “I lifted at the knees and just pulled as quickly as I could and helped him to the car. Lost him to a heart attack. I think of his weight in my arms and the life that use to be inside it all.” The man in the Dusty hat said.
The fan replied, “Sorry to hear.” They both looked ahead not facing each other. However, the fan just thought of one word “sand.” This Dusty fan’s friend had just slipped through his arms, too soon.
“We didn’t bring a jar, silly.” Joan, once, told him in Miami.
Minutes 40-30.
Flair wrestles with the best ways to make Barry look good. The crowd silences. They need something more. If he makes Windham look good, Florida will want him to stay champ. He doesn’t want to ever give it back to Dusty or Harley. This has to be his time. “Put your arms around me,” Flair whispers. “Turn on your knees, mount your feet to the ground, push up slowly— I said slowly— you’re going too fast. Ok good you got it! Now, back-body drop me!” Flair fills himself slipping through the sweat in Barry’s arms and continues, “Hurry up! Make it fast!” Flair feels the hard canvas and bounces just a bit. He screams and holds on to the scream as long as his voice allows. In return, the fans cheer for as long as they can.
But nobody brought a jar.
Minutes 30-20
The fan forgets it all: the lost job, the failing marriage, the dog. In minutes 30 to 20 he lives inside cross body blocks and flip overs. Inside cradles and counters. Will Flair pin Barry? No! He can’t! Barry keeps kicking out! It’s like a basketball game, Barry gets the ball and right when he gets to the rim, Flair fouls him or makes the steal from him. It’s back and forth! The guy in the Dusty hat, next to him, loosens his pants to breathe. Barry goes behind Flair and rolls him up. 1, 2, and 2 and ½! In ½ seconds Barry of done what his favorite, Black Jack, never did; win the belt! But the match still has 20 minutes left before curfew; Barry still has time!
Minutes 20-10:
“Let’s end it a bit early tonight, Ric. Let’s hit the town. You only live once!” Barry whispers, breathing heavily as Flair stretches his abdominal.
“Do you hear these people,” Flair says, “They’re chanting your name!”
Barry can’t see anything but Flair’s foot in a blur. He rocks Flair forward a couple of times just to hear the crowd, again.
“You’re dad’s standing,” Flair says, “Standing! Matches like this don’t happen at every house.”
Barry chuckles to himself. For him this is just the beginning. It’s just one more marathon with Ric...He knows his best days will come in time.
Minutes 10-1:
Then, Flair feels the frequency of his high scream for as long as he can feel it as Windham reverses the adnominal stretch with a hip toss. As he sees the body approach him quickly, he halts time and the fans cheers as he bends at the knees and lifts Widham up for an atomic drop. He lost the time between the atomic drop and the figure four, but yelled profanity’s at Windham on the outside and smiled on the inside as he applied more and more pressure. “Yes,” he thought. “They love Barry. I’ve done it!
Neither Harley nor Dusty could do this!” He doubted himself before, but as he a rolled on his stomach and screamed like he was being pushed to the gas chamber, he never felt better about his fate.
He let Barry loose. Then, he heard the fans count the seconds until he mounted, with the assistance of the ropes, to his feet. He stood and woo’d and smiled at the boos. He walks over to Barry to hook him one more time, but Barry inside cradles him. With ring awareness being his only sight, the 60 minute man knows what 2 and ¾’s of a second felt like and kicks out just at it.
He throws Barry off the ropes and locks a sleeper, but knowing he only has 4 minutes left, he doesn’t hold on too long. He whispers to Barry, “I’m going to let you go, but you have to hit the best lariat of your life. Knock me to the other side of the ring, punk!”
At Barry’s feigned strength Flair feels he bounce off the ropes and feels Barry’s arm across his lip. At 2 and 3 quarters of a referees slap against the mat, Flair places his foot across the bottom rope.
The two mount to their feet run off opposite side. Things got blurry for Flair as Windham’s head hits his. He’s finally tiring down and hope the referee counts slowly as they lay on the mat. With less than 60 minutes to go he feels his body his the canvas with sunset flips and rolls ups.
He can’t go any longer. They’ve pushed too long. But, then, then the official got on the mat and counted, then whispered 6 seconds left. Flair quickly grabbed Barry’s slippery locks and call bulldog. He felt little as Barry kicked near his gut, grabbed his hair, locked him into darkness, ran with him, and dropped him on his nose. The referee slapped the mat just once and the bell rang...
In the left corner, lay flair holding just ten pounds over his tired body. For him the urgency of the moment means everything. He has to make this 3rd title rein the best. He has to be better than Harley, than Dusty, than Kiniski, than Brisco even. He breathes at ease, knowing he’s learned how to do it.
In the right corner, Barry tries his best to show disappointment. His dad told him to be patient. His years would come, he thought to himself, but tonight’s the party.
In the crowd, the fan hears the boos for Flair and the chants for Barry, but anxiety locks him in a hold. He feels for the man next to him, who lost his buddy forever, but like many fans before him and after him, the stalling can’t last forever. The time limit has expired, and now he must wrestle being a grown man.
Until The Last Drop
NSFW, Sexual Themes, Drugs
There across the kitchen, funny man leaned on the refrigerator. Had a beard curling out his pale face. It was messy like husk, but underneath, surely funny man had corn for laughs and sugar for some kind of love. After all, he talked with his wife, some short Korean lady. Of course, the glass blurred the image of funny man Wallace to me as it had since the day he placed me on this fiberwood kitchen counter. Some square feet of yellow tile separated us. Us… Oh, this riot of a man would be the one to consume me!
Grinded down from natural grains: corn, wheat, and rye and twelve years in the barrel distilling, and here funny man would consume what’s left of me. But there’s ways Kentucky Whiskey can eat back at a man’s brain, till he don’t shave, or work, or love, or drive, or walk a straight line, and it can chew on them wits until the man goes to brush his teeth or wash his hands and he lifts his pupils and, through that rectangle in need of Windex centering his reflection, he beholds the image of that which he thought himself to be consuming, consuming him. Or the whiskey can pull his little fuckin twelve year old Saturn, I heard him talking about, in front of a goddamn semi. Surely someone warned him before, and surely he told himself something like it’s worth the joy he gets throwing his head back with whiskey in his mouth till his guard rolls down and the air blows through his hair like wind.
His image sunk closer to me like a man moving to the window after catching the eye of his investigator, but the glass distorted away his nose. With a move closer, I saw his nose, though, a wide bastard of a sneezer that needed a shave. I think his wife went to bed. He seized me by the neck and twisted my plastic lid, cracking the seal. Now I saw him, well. He wore reddish-brown shades, even at night. Glasses the same color as me. Ah, he poured me in a glass that fit his palm and then dropped rocks into my pool for his pleasure. He got me mixed with ice, and then I and the ice streamed down his throat and I into his blood. Most of me in the bottle, some in the bloodstream, I saw the world in sepia: the kitchen, the cabinets; his sunglasses colored them all the same as my liquid.
Ah, the joy of slipping into a woman’s or a man’s memories and into their collective unconscious. I of course prefer the woman since she has a bit less tolerance, but this particular man is weak enough to really fuck with. Their sub-conscience is my favorite part; it’s where you see things they’ll never know and cause them not to remember the things they do. Here, I saw his grandfather of generations back, a small English boy in a sailor suit dress and with pigtail hair. He had a Victorian mother lifting up the hem of her dress and chasing him through the apple stands of the market. She really wanted badly to castrate this lad. With his mother determined to put a high pitch in that boy's vocals in order to put him on the opera stage, it’s a wonder funny many even made it to this earth. But here funny man stood in some real existence to be proud of. He was both of his ancestors, the boy in the dress and the Victorian mother. He wanted the stage like the mom and he rushed away from it like the boy. And some balls that boy in the sailor suit dress must've been proud to have spared, for all he did with them was run from the stage.
Swimming in the blood and soul of this man, I felt some Irish tramping about, too; though his family didn’t pass that down to him. Make no mistake, Mr. Jameson, himself, owned a few more street corners inside this man than me, on this night. This fool was kicked out the bar some hours earlier, delighting in the Irish whiskey. The part of me still in the bottle picked up a blurry glimpse of him stumbling about the same four or five tiles of kitchen floor, singing Sinatra, “My Way,” like a fool. But this part of me that swam through his blood saw a guilt colored in sepia of a blonde woman in a dim lit room separated from him by the buffed up bar counter shine.
“Sweetheart, even, the bar tender on the shift ahead of me told me not to serve you, and now—” the skinny blonde said.
“Kassie, I’m not driving.”
Her face surrendered a stance she’d surely been proud of, “Ok, but your friend looks perfectly fine, he better take care of you.”
“The last thing I want is to make you feel forced. I just want the drink, if I may, a last one. If I may…”
“Look, Wallace! I already told you I’m not comfortable serving you, and you’re not respecting me as your bar tender! You just keep pushing! It’s only two a’ clock and you’re already drunk! Two a clock, Wallace! If I weren’t a woman you wouldn’t be—
“Kassie…”
“It’s true! You and your sexist jokes.”
I felt this man’s heart whipped. And it’d been whipped before. Still, a bar tender depends on tips and she’ll call a fella “sweetheart and baby,” kind of like a hooker does. Here she is calling him “Wallace.” With the courtesy put-ons of this so called relationship shed to the last piece of fabric, Kassie bared it all, including that she didn’t care for his humor, either. A tear rolled underneath his glasses. He said “Kassie,” cause he’d seen her with a goal of getting tips by having something to shoot the shit with the drunks with, villainize others. Drunk enough to walk stiff, but sober enough only to hold on to his last dignity, he walked out Vino’s before Vino, the local Italian hero, emerged to take the role opposite of him. It’s funny the way that goes, as soon as they have a person playing villain, any of those drunks at any minute could turn their behavior in for a white steed and could come galloping at him with a lance.
But in this man’s—Wallace’s— blood I saw not just a villain made by the bar, but a true villain made by his doings. He’s a funny man, after all, and funny men make jokes and jokes infest the morality of those joked about. The racist ones. The homophobic ones. The religious ones. The sexist ones. He’d told a many of them and they infested like a hoard of bed bugs. Yeah, the folks laugh but on their pillow when they think about it, the jokes with all their legs crawl in their skin and humiliate them, anger them, make them question motives of funny men who spew bugs from their mouths into their beds. Cause who knows the motives behind a joke aside the joker? And dwelling in that man’s DNA, that night, I didn’t know if he knew his own.
Even this Don Rickles… I’d spread across the country and been in souls of men and women, as they went on and on about Don. Everybody said he was innocent; Don was, no matter the nationalities he made light of with things he supposedly didn’t mean. Still at night, one man of Japanese descent that looked like this funny man’s wife must’ve lay in bed thinking of how Don called him out in front of everybody. He wondered in his soft pajamas, maybe just for a moment, did Don mean that shit about his slanted eyes. Has Don not gotten passed World War Two?
I decided that night that if I could I’d kill this funny man before he killed me, it’d be a good humor to his time and age.
And before anybody dare come to this louse’s aid, let me go on about the unthinkable of his actions. I knew what it meant this time of day when he put his plaid shirt on, his dark pants on, his wallet in his back pocket, his feet in his dress shoes, his gel in his hair, his badge over his neck, his scarf around his neck, his coat over it all. I’d been on that fiber-wood counter long enough to see through the blur him ready himself for work. Then dressed for work and all, funny man’s hand lifted me from the counter, his sunglasses looked a hard minute through the clear border that he knew he should not cross. But I convinced myself no soul lived on the other side of his dark brown shields when he consumed three, four, five, six glasses of me knowing he’d take me to work with him!
Some twenty-four hours later, he started to do the same thing. He did a shot of me, and then his cell rang a “aint that a kick in the head,” ring tone. Wallace put it to his ear.
“Hello?”
“Hello, Wallace, it’s Julio.”
“Hey, brotha. I’m just about to head to work.”
“I’m off, today. Remember I told you yesterday. Just don’t do the hand off with Carmella, today. She’s going to email you the shift notes.”
“Ok…What’s with the change?”
“She still doesn’t want to talk to you.”
“Wha-why?”
“You upset her. Best thing you can do is apologize. You know she’s Catholic. And I know she seems crazy and like a—how do you say it? A ‘sloot?’
“Slut”
“Yeah, slutt. But she’s still Catholic, and she didn’t like what you said about Jesus’ cock. Anyway, I got to go. Just warning you.”
Funny man paused and placed the part of me still in the glass back on the counter. I didn’t know what was richer to look at his opened mouth on the outside recalling his behavior or to look at the anxiety in his person recalling it. I loved the sub-conscience the best. I peeked in and Julio and Carmella colored in sepia sat in a triangle, just some carpet separating them from funny man, Wallace.
“Oh when I see him, I’m gonna say well, who put that fucking tree in the garden? Blame him for your nail scarred hands! Yeah, throw the guilt right on his fuckin’ dad” Wallace sneered as Carmella’s dark eyes shrunk. Wallace went on, “Seriously what kind of dad puts the root-cause right there and then goes—goes to his kid, you go clean this shit up.”
“You’d tell your hung savior that…” Carmella said shaking her head.
“Now, that’s the dandiest thing I heard any religious person say, yet.” Wallace retorted.
“What do you mean,” Carmella said.
“How do you know he had such a massive cock?”
“Que!”
“I don’t think he was so hung,” Wallace went on with words that were as good as throwing a rope around his own neck, “If he was on the cross and naked—ya know they weren’t really wearing cloths, they were up there nude—but if he had such a hung cock, don’t you think it’d been distracting everybody when they should be thinking about all the guilt and grief and shit? Big dicks are like big boobs, you just can’t take your eyes off them long enough to be solemn.” Wallace paused and while Julio and Carmella sat in silence, Wallace continued on with his set, “I mean if he’s up they’re hung as fucking John Holmes, can’t you see Mary Magdalene and Joseph of Arimathea right now just staring at his goddamn massive weaner when trying to mourn. Mary looking right at it saying, “such a shame, such a big shame.’ Joseph seeing her saying, ‘for a Jewish woman you can’t keep your eyes off the pork, can you?’ Serious, Carmella, nobody ever told me he was hung before. No wonder that Roman said, ’surely he must be the son of God.’ He was looking at his goddamn massive rod!”
And that’s all funny man, Wallace, could remember. What he didn’t hear as the memory stopped playing was one chuckle from Julio or Carmella, two devout Catholics. He just resolved he’d not take another drink of me till he got off work on that New Year’s Eve.
When he returned to my vision at night, he seized my neck before even removing his coat or scarf. He had two egg-rolls in his mouth and slid me in there with their inners. He drank, like a sailor, shots of me. And his wife bounced in, gawking at him.
“Don’t drink too much. We need to go to family’s for the party.” She said and exited the kitchen.
From the kitchen tile to the bathroom, he hollered, “Just drinkin’ a few to loosen up!”
He drank more until he stumbled and laughed and listened to Sinatra and yelled the lyrics over the reddish-brown visuals of disgust incarnating itself through Carmella raising her nose.
“Take a shower, Wallace, maybe the bath will sober you. You’re drunk!”
Wallace pushed the door open from the shower. He emerged naked with the shower head beating its song, still. I laughed from inside of him and laughed through the glass of the bottle. His wife took one glance as he left a puddle behind. “I’m going to the party by myself.” she said. “Stay here with your liquor!”
All the judgments hammered down on him, Carmella’s, Kassie’s, and his wife’s. He grabbed my container and with his two eyes made contact with me. Through his shades restricting certain light, those eyes looked into my sepia shapelessness dripping down each side of the bottle back into myself. Then from the area some would counsel with liquid for a reflection, I gave up a vision. I showed him the funny man, both loved and laughed with.
A real funny man, he wore a tux; his skin tan, his upper figure a triangle. He introduced himself saying, “Hello, I’m Wallace Carlson, and I’m an alcoholic.” He heard some laughing. He said, “Don’t mind that. To get off probation, I told them I’d say that in all my meetings!” He looked underneath his bowtie, and beneath the stage, on the other side of the spotlight, Chicagoans, old and young, male and female, fat and skinny threw their teeth out their mouths laughing.
He opened for certain comedian, Rico Amore. He had a glass table underneath him with an astray on it. He coughed from the withering camel cigarette between his core couple of fingers and deduced himself a cool “Rat Pack” like smoker. A real Dean Martin, he laid his weight to his left hand leaning on the glass table, and said “What’s wrong with you delinquents? I tell you I’m an alcoholic and on probation and you laugh?”
An old humped over bald head couldn’t open his eyes to a squint but smiled.
Wallace went on, “this old man. This Harry Bowden relic up here is smiling? He said he hasn’t seen anything this wild since the 1920’s when he got mooned by a flapper!”
The audience died, surrendering their last laughter.
Amongst them, I sat disguised as a black man with a cornrow and in a tux. He looked in my reddish-brown eyes as I touched the laughs in my stomach.
“This black fella is alright. Ya’ know I, like others, learned to appreciate black people by getting to know a black…a real dark one-my liver!”
For Wallace, I, wearing the black man's flesh, fell from my chair, held my stomach, squirming and dancing about the carpet with delight.
Wallace, stroked his handsome beard, his face felt ten years younger. Only he and Rickles could charm with this humor.
“You know what’s worse about drinking, “Wallace reasoned, “It’s not the hangover. It’s the judgment you get. And I’m just talking about the other people at the bar!”
He heard laughing and wailing.
“No, I’m serious. The bar tender always has to be a hero. She’ll do anything to be the damsel that has to stand up against some drunken heel, just so the regular recluses that get out— ya know, get out just there— will rescue her. Maybe, there’s no bigger jerk that day than you and you’re behaving just fine, she’ll still tell ya something like ‘you’re drinking all this Irish stuff and it’s only two a’ clock. Two a’ clock, Wallace! Sweetheart, its daylight and you’re drunk, already!’ Are you saying if it’s ten a clock and dark, I can get just as fucked up as I want, but doing it at two is some kind of cardinal sin? I’m really ok doing the same shit but just in the dark! The worst part is when some drunk comes to her aid.” Then, Wallace slipped into his best drunk dialect. He stumbled on his words like Foster Brooks. “The drunk will say something like, ‘G-go ho-ho…You’re dr—drunk, and it’s only two a’ (hiccup) clock.’”
A man in the audience squealed, it’s only two a’ clock!”
Wallace fished his eyes in the pool of that which was left of me, while the dream of all admiration for him disappeared. I pierced back in his baby blues; first time I’d seen them without the glasses. This youngin’ could’ve been special: eyes to fuckin’ die for, experience not half bad for someone who only prepared seventy-four days in the nutsack as opposed to my twelve years in the barrel. But, then the bastard killed us both. He picked me up and I saw his tonsil doing the charlatan. The last of me slid under it. He spared me this long and now he took me. I burned his throat and pumped his blood to get back to his wife to that New Year’s party. He grabbed the keys to that unregistered Saturn of his, that 2001 oddity. He pumped the gas, still tasting me to the very back of his tongue, and went down the alley with them shades on and struggled to see anything right, left, or behind. Just an eight minute drive somehow took him to Perryville Road instead of anywhere near that party!
Then, shit walloped Wallace’s brain; like did the Nazis understand their evil when they incinerated the children of Christ? And I realized he had some heart for somebody, at least. I felt something, too, that he'd never told a nine-eleven joke, a Pearl Harbor one, or a holocaust one. And, then, shit hit him harder, he had stranger thoughts about himself, his mother, and his grandmother and- and that's all he knew of her side of the family - but he thought of how all had been without siblings and he thought of how he and his wife had no children, while red stop lights and the green stop lights collaborated with the last drop of me. How could he consume me to the last drop? But when he did he didn’t know that I’d poke him in the eyes; make him not know red from green, and he kept going succeeding correctly at some lights and failing at others. And not me, but his own anger pushed the gas to eighty when he thought a red to be a green… A Volkswagen Beetle hit him from the left. He spun out of control, saw a large wooden pole, and some house lost its light. What funnier way to go for a funny man than to a punch bug. This soldier fell at little Germany’s doing.
Wallace opened his eyes to my last vision for him. His crushed body hung to the left hill next to a man he thought to be Jesus, himself; but this Jesus had my reddish-brown eyes, as funny man's joke laughed back at him. This Jesus next to him had no loin cloth and hung heavier wood than the cross of Calvary itself, and this Jesus next to him heckled him, hailing “Fuck you. You’re terrible. You’re after all, a self-centered louse, a sexist sicko, an alcoholic illiterate. No redemption for you! No redemption for you! Ya see that ol’ thief on my right?” I turned my head right and said, “Later, me, you, paradise. You’re cool” I turned left again at funny man and said, “no paradise for you, motherfucker!”
“Jesus” laughed, as he once said to a Peter, “When the cock crows three times you’ll deny me thrice. “ “Jesus” not known to be wanting or perhaps even homosexual measured for every inch of his cock twelve denials by a Peter. Wallace could hardly hear him, at first, over the embarking thoughts the ladies made of “King Jesus”’ rising bridge. Still, Wallace’s thirst for redemption caused him to look at “Jesus”’ lips over his chin and the bearing up wood. I, in my Jesus disguise, regurgitated the drug the soldiers forced in my mouth until it dripped down my chest and onto my fully erect twelve inch cock and inevitably from it. For a Jew, this “Jesus” paraded plentiful pork with wine and vinegar running down it. Still Wallace’s own jokes weigh too heavy, now, to make light of them.
Funny man, breathed and thirsted for life, or he thirsted for—even as desperate as it sounds— for the loneliness he experienced consuming me. However, his wrist’s blood that mixed with me tapped the wood beneath them, again and again. As “Jesus” denied him redemption, the laws of “all good things must come to an end” denied him I. He exhaled, once more, next to the jokes that he’d never be forgiven for. His ancestors, the Victorian woman and the sailor-suit dress wearing boy, at last, ceased from their quarrel.
Grinded down from natural grains: corn, wheat, and rye and twelve years in the barrel distilling, and here funny man would consume what’s left of me. But there’s ways Kentucky Whiskey can eat back at a man’s brain, till he don’t shave, or work, or love, or drive, or walk a straight line, and it can chew on them wits until the man goes to brush his teeth or wash his hands and he lifts his pupils and, through that rectangle in need of Windex centering his reflection, he beholds the image of that which he thought himself to be consuming, consuming him. Or the whiskey can pull his little fuckin twelve year old Saturn, I heard him talking about, in front of a goddamn semi. Surely someone warned him before, and surely he told himself something like it’s worth the joy he gets throwing his head back with whiskey in his mouth till his guard rolls down and the air blows through his hair like wind.
His image sunk closer to me like a man moving to the window after catching the eye of his investigator, but the glass distorted away his nose. With a move closer, I saw his nose, though, a wide bastard of a sneezer that needed a shave. I think his wife went to bed. He seized me by the neck and twisted my plastic lid, cracking the seal. Now I saw him, well. He wore reddish-brown shades, even at night. Glasses the same color as me. Ah, he poured me in a glass that fit his palm and then dropped rocks into my pool for his pleasure. He got me mixed with ice, and then I and the ice streamed down his throat and I into his blood. Most of me in the bottle, some in the bloodstream, I saw the world in sepia: the kitchen, the cabinets; his sunglasses colored them all the same as my liquid.
Ah, the joy of slipping into a woman’s or a man’s memories and into their collective unconscious. I of course prefer the woman since she has a bit less tolerance, but this particular man is weak enough to really fuck with. Their sub-conscience is my favorite part; it’s where you see things they’ll never know and cause them not to remember the things they do. Here, I saw his grandfather of generations back, a small English boy in a sailor suit dress and with pigtail hair. He had a Victorian mother lifting up the hem of her dress and chasing him through the apple stands of the market. She really wanted badly to castrate this lad. With his mother determined to put a high pitch in that boy's vocals in order to put him on the opera stage, it’s a wonder funny many even made it to this earth. But here funny man stood in some real existence to be proud of. He was both of his ancestors, the boy in the dress and the Victorian mother. He wanted the stage like the mom and he rushed away from it like the boy. And some balls that boy in the sailor suit dress must've been proud to have spared, for all he did with them was run from the stage.
Swimming in the blood and soul of this man, I felt some Irish tramping about, too; though his family didn’t pass that down to him. Make no mistake, Mr. Jameson, himself, owned a few more street corners inside this man than me, on this night. This fool was kicked out the bar some hours earlier, delighting in the Irish whiskey. The part of me still in the bottle picked up a blurry glimpse of him stumbling about the same four or five tiles of kitchen floor, singing Sinatra, “My Way,” like a fool. But this part of me that swam through his blood saw a guilt colored in sepia of a blonde woman in a dim lit room separated from him by the buffed up bar counter shine.
“Sweetheart, even, the bar tender on the shift ahead of me told me not to serve you, and now—” the skinny blonde said.
“Kassie, I’m not driving.”
Her face surrendered a stance she’d surely been proud of, “Ok, but your friend looks perfectly fine, he better take care of you.”
“The last thing I want is to make you feel forced. I just want the drink, if I may, a last one. If I may…”
“Look, Wallace! I already told you I’m not comfortable serving you, and you’re not respecting me as your bar tender! You just keep pushing! It’s only two a’ clock and you’re already drunk! Two a clock, Wallace! If I weren’t a woman you wouldn’t be—
“Kassie…”
“It’s true! You and your sexist jokes.”
I felt this man’s heart whipped. And it’d been whipped before. Still, a bar tender depends on tips and she’ll call a fella “sweetheart and baby,” kind of like a hooker does. Here she is calling him “Wallace.” With the courtesy put-ons of this so called relationship shed to the last piece of fabric, Kassie bared it all, including that she didn’t care for his humor, either. A tear rolled underneath his glasses. He said “Kassie,” cause he’d seen her with a goal of getting tips by having something to shoot the shit with the drunks with, villainize others. Drunk enough to walk stiff, but sober enough only to hold on to his last dignity, he walked out Vino’s before Vino, the local Italian hero, emerged to take the role opposite of him. It’s funny the way that goes, as soon as they have a person playing villain, any of those drunks at any minute could turn their behavior in for a white steed and could come galloping at him with a lance.
But in this man’s—Wallace’s— blood I saw not just a villain made by the bar, but a true villain made by his doings. He’s a funny man, after all, and funny men make jokes and jokes infest the morality of those joked about. The racist ones. The homophobic ones. The religious ones. The sexist ones. He’d told a many of them and they infested like a hoard of bed bugs. Yeah, the folks laugh but on their pillow when they think about it, the jokes with all their legs crawl in their skin and humiliate them, anger them, make them question motives of funny men who spew bugs from their mouths into their beds. Cause who knows the motives behind a joke aside the joker? And dwelling in that man’s DNA, that night, I didn’t know if he knew his own.
Even this Don Rickles… I’d spread across the country and been in souls of men and women, as they went on and on about Don. Everybody said he was innocent; Don was, no matter the nationalities he made light of with things he supposedly didn’t mean. Still at night, one man of Japanese descent that looked like this funny man’s wife must’ve lay in bed thinking of how Don called him out in front of everybody. He wondered in his soft pajamas, maybe just for a moment, did Don mean that shit about his slanted eyes. Has Don not gotten passed World War Two?
I decided that night that if I could I’d kill this funny man before he killed me, it’d be a good humor to his time and age.
And before anybody dare come to this louse’s aid, let me go on about the unthinkable of his actions. I knew what it meant this time of day when he put his plaid shirt on, his dark pants on, his wallet in his back pocket, his feet in his dress shoes, his gel in his hair, his badge over his neck, his scarf around his neck, his coat over it all. I’d been on that fiber-wood counter long enough to see through the blur him ready himself for work. Then dressed for work and all, funny man’s hand lifted me from the counter, his sunglasses looked a hard minute through the clear border that he knew he should not cross. But I convinced myself no soul lived on the other side of his dark brown shields when he consumed three, four, five, six glasses of me knowing he’d take me to work with him!
Some twenty-four hours later, he started to do the same thing. He did a shot of me, and then his cell rang a “aint that a kick in the head,” ring tone. Wallace put it to his ear.
“Hello?”
“Hello, Wallace, it’s Julio.”
“Hey, brotha. I’m just about to head to work.”
“I’m off, today. Remember I told you yesterday. Just don’t do the hand off with Carmella, today. She’s going to email you the shift notes.”
“Ok…What’s with the change?”
“She still doesn’t want to talk to you.”
“Wha-why?”
“You upset her. Best thing you can do is apologize. You know she’s Catholic. And I know she seems crazy and like a—how do you say it? A ‘sloot?’
“Slut”
“Yeah, slutt. But she’s still Catholic, and she didn’t like what you said about Jesus’ cock. Anyway, I got to go. Just warning you.”
Funny man paused and placed the part of me still in the glass back on the counter. I didn’t know what was richer to look at his opened mouth on the outside recalling his behavior or to look at the anxiety in his person recalling it. I loved the sub-conscience the best. I peeked in and Julio and Carmella colored in sepia sat in a triangle, just some carpet separating them from funny man, Wallace.
“Oh when I see him, I’m gonna say well, who put that fucking tree in the garden? Blame him for your nail scarred hands! Yeah, throw the guilt right on his fuckin’ dad” Wallace sneered as Carmella’s dark eyes shrunk. Wallace went on, “Seriously what kind of dad puts the root-cause right there and then goes—goes to his kid, you go clean this shit up.”
“You’d tell your hung savior that…” Carmella said shaking her head.
“Now, that’s the dandiest thing I heard any religious person say, yet.” Wallace retorted.
“What do you mean,” Carmella said.
“How do you know he had such a massive cock?”
“Que!”
“I don’t think he was so hung,” Wallace went on with words that were as good as throwing a rope around his own neck, “If he was on the cross and naked—ya know they weren’t really wearing cloths, they were up there nude—but if he had such a hung cock, don’t you think it’d been distracting everybody when they should be thinking about all the guilt and grief and shit? Big dicks are like big boobs, you just can’t take your eyes off them long enough to be solemn.” Wallace paused and while Julio and Carmella sat in silence, Wallace continued on with his set, “I mean if he’s up they’re hung as fucking John Holmes, can’t you see Mary Magdalene and Joseph of Arimathea right now just staring at his goddamn massive weaner when trying to mourn. Mary looking right at it saying, “such a shame, such a big shame.’ Joseph seeing her saying, ‘for a Jewish woman you can’t keep your eyes off the pork, can you?’ Serious, Carmella, nobody ever told me he was hung before. No wonder that Roman said, ’surely he must be the son of God.’ He was looking at his goddamn massive rod!”
And that’s all funny man, Wallace, could remember. What he didn’t hear as the memory stopped playing was one chuckle from Julio or Carmella, two devout Catholics. He just resolved he’d not take another drink of me till he got off work on that New Year’s Eve.
When he returned to my vision at night, he seized my neck before even removing his coat or scarf. He had two egg-rolls in his mouth and slid me in there with their inners. He drank, like a sailor, shots of me. And his wife bounced in, gawking at him.
“Don’t drink too much. We need to go to family’s for the party.” She said and exited the kitchen.
From the kitchen tile to the bathroom, he hollered, “Just drinkin’ a few to loosen up!”
He drank more until he stumbled and laughed and listened to Sinatra and yelled the lyrics over the reddish-brown visuals of disgust incarnating itself through Carmella raising her nose.
“Take a shower, Wallace, maybe the bath will sober you. You’re drunk!”
Wallace pushed the door open from the shower. He emerged naked with the shower head beating its song, still. I laughed from inside of him and laughed through the glass of the bottle. His wife took one glance as he left a puddle behind. “I’m going to the party by myself.” she said. “Stay here with your liquor!”
All the judgments hammered down on him, Carmella’s, Kassie’s, and his wife’s. He grabbed my container and with his two eyes made contact with me. Through his shades restricting certain light, those eyes looked into my sepia shapelessness dripping down each side of the bottle back into myself. Then from the area some would counsel with liquid for a reflection, I gave up a vision. I showed him the funny man, both loved and laughed with.
A real funny man, he wore a tux; his skin tan, his upper figure a triangle. He introduced himself saying, “Hello, I’m Wallace Carlson, and I’m an alcoholic.” He heard some laughing. He said, “Don’t mind that. To get off probation, I told them I’d say that in all my meetings!” He looked underneath his bowtie, and beneath the stage, on the other side of the spotlight, Chicagoans, old and young, male and female, fat and skinny threw their teeth out their mouths laughing.
He opened for certain comedian, Rico Amore. He had a glass table underneath him with an astray on it. He coughed from the withering camel cigarette between his core couple of fingers and deduced himself a cool “Rat Pack” like smoker. A real Dean Martin, he laid his weight to his left hand leaning on the glass table, and said “What’s wrong with you delinquents? I tell you I’m an alcoholic and on probation and you laugh?”
An old humped over bald head couldn’t open his eyes to a squint but smiled.
Wallace went on, “this old man. This Harry Bowden relic up here is smiling? He said he hasn’t seen anything this wild since the 1920’s when he got mooned by a flapper!”
The audience died, surrendering their last laughter.
Amongst them, I sat disguised as a black man with a cornrow and in a tux. He looked in my reddish-brown eyes as I touched the laughs in my stomach.
“This black fella is alright. Ya’ know I, like others, learned to appreciate black people by getting to know a black…a real dark one-my liver!”
For Wallace, I, wearing the black man's flesh, fell from my chair, held my stomach, squirming and dancing about the carpet with delight.
Wallace, stroked his handsome beard, his face felt ten years younger. Only he and Rickles could charm with this humor.
“You know what’s worse about drinking, “Wallace reasoned, “It’s not the hangover. It’s the judgment you get. And I’m just talking about the other people at the bar!”
He heard laughing and wailing.
“No, I’m serious. The bar tender always has to be a hero. She’ll do anything to be the damsel that has to stand up against some drunken heel, just so the regular recluses that get out— ya know, get out just there— will rescue her. Maybe, there’s no bigger jerk that day than you and you’re behaving just fine, she’ll still tell ya something like ‘you’re drinking all this Irish stuff and it’s only two a’ clock. Two a’ clock, Wallace! Sweetheart, its daylight and you’re drunk, already!’ Are you saying if it’s ten a clock and dark, I can get just as fucked up as I want, but doing it at two is some kind of cardinal sin? I’m really ok doing the same shit but just in the dark! The worst part is when some drunk comes to her aid.” Then, Wallace slipped into his best drunk dialect. He stumbled on his words like Foster Brooks. “The drunk will say something like, ‘G-go ho-ho…You’re dr—drunk, and it’s only two a’ (hiccup) clock.’”
A man in the audience squealed, it’s only two a’ clock!”
Wallace fished his eyes in the pool of that which was left of me, while the dream of all admiration for him disappeared. I pierced back in his baby blues; first time I’d seen them without the glasses. This youngin’ could’ve been special: eyes to fuckin’ die for, experience not half bad for someone who only prepared seventy-four days in the nutsack as opposed to my twelve years in the barrel. But, then the bastard killed us both. He picked me up and I saw his tonsil doing the charlatan. The last of me slid under it. He spared me this long and now he took me. I burned his throat and pumped his blood to get back to his wife to that New Year’s party. He grabbed the keys to that unregistered Saturn of his, that 2001 oddity. He pumped the gas, still tasting me to the very back of his tongue, and went down the alley with them shades on and struggled to see anything right, left, or behind. Just an eight minute drive somehow took him to Perryville Road instead of anywhere near that party!
Then, shit walloped Wallace’s brain; like did the Nazis understand their evil when they incinerated the children of Christ? And I realized he had some heart for somebody, at least. I felt something, too, that he'd never told a nine-eleven joke, a Pearl Harbor one, or a holocaust one. And, then, shit hit him harder, he had stranger thoughts about himself, his mother, and his grandmother and- and that's all he knew of her side of the family - but he thought of how all had been without siblings and he thought of how he and his wife had no children, while red stop lights and the green stop lights collaborated with the last drop of me. How could he consume me to the last drop? But when he did he didn’t know that I’d poke him in the eyes; make him not know red from green, and he kept going succeeding correctly at some lights and failing at others. And not me, but his own anger pushed the gas to eighty when he thought a red to be a green… A Volkswagen Beetle hit him from the left. He spun out of control, saw a large wooden pole, and some house lost its light. What funnier way to go for a funny man than to a punch bug. This soldier fell at little Germany’s doing.
Wallace opened his eyes to my last vision for him. His crushed body hung to the left hill next to a man he thought to be Jesus, himself; but this Jesus had my reddish-brown eyes, as funny man's joke laughed back at him. This Jesus next to him had no loin cloth and hung heavier wood than the cross of Calvary itself, and this Jesus next to him heckled him, hailing “Fuck you. You’re terrible. You’re after all, a self-centered louse, a sexist sicko, an alcoholic illiterate. No redemption for you! No redemption for you! Ya see that ol’ thief on my right?” I turned my head right and said, “Later, me, you, paradise. You’re cool” I turned left again at funny man and said, “no paradise for you, motherfucker!”
“Jesus” laughed, as he once said to a Peter, “When the cock crows three times you’ll deny me thrice. “ “Jesus” not known to be wanting or perhaps even homosexual measured for every inch of his cock twelve denials by a Peter. Wallace could hardly hear him, at first, over the embarking thoughts the ladies made of “King Jesus”’ rising bridge. Still, Wallace’s thirst for redemption caused him to look at “Jesus”’ lips over his chin and the bearing up wood. I, in my Jesus disguise, regurgitated the drug the soldiers forced in my mouth until it dripped down my chest and onto my fully erect twelve inch cock and inevitably from it. For a Jew, this “Jesus” paraded plentiful pork with wine and vinegar running down it. Still Wallace’s own jokes weigh too heavy, now, to make light of them.
Funny man, breathed and thirsted for life, or he thirsted for—even as desperate as it sounds— for the loneliness he experienced consuming me. However, his wrist’s blood that mixed with me tapped the wood beneath them, again and again. As “Jesus” denied him redemption, the laws of “all good things must come to an end” denied him I. He exhaled, once more, next to the jokes that he’d never be forgiven for. His ancestors, the Victorian woman and the sailor-suit dress wearing boy, at last, ceased from their quarrel.
What are you drinking about right now?
I've been really into whiskey the last 1.5 years...I can't find one smoother than those out of Kentucky. Granted some come from Canada, whiskey brewed for Kings and Queens and Ireland, but nothing does for me what Jim Beam does. I love this fool who I am spending my day off with. Thank you, Jim Beam family, for your centuries of success!
[RMMV] My Ol' Boy, Sparky
Chapter in dark fantasy fiction manuscript
Fragmented and Fractured
Chapter 8
Veins
When Seth turned a pale, right wrist upwards, he'd see that a blue vein went right towards the thumb. Seth, for sure, wore scars across that vein.
There’s a time Seth learned his destiny. It’s a time happening now and then, for now and then is one in the same. Nothing happens before anything else. It all just floats around us in shining ornaments and reflects a desire to be actualized. The past, present and future are a merry-go-round of shining circles. I have eight years; eight years represented by eight floating ornaments that show all that got me here.
Now, in Dreammore all important folk seem to be proceeded by hallways. In one ornament floating around my head I see my feet skipping down an emerald hallway; I see my rod soaked in Lucifer's blood as I skip away from the glass double doors. Emarald base and blood drops lay beneath my skips, as I skurry. For a moment my feet stop. I hear my spit and see the head of Lucifer's Redbird, with it's beak in tack, land on the emarald. My feet skip again, leaving the head where it lay.
And in another ornament, I see Seth's brown boots walking down a hall. There's a classical piano sound, not playing from any instrument but by magic, and candles dancing with not life but enchantment. Let's focus in on this ornament and go back...
That hallway that led to the Great Wizard had the feel of cement under Seth's brown boots and black cloak. However the floor or walls could barely be seen, just dancing candles floating in mid air emmitted some light onto them. Into the Great Wizard’s office, Seth pushed the door by the large golden handle. With caution he went in to receive his final present for his fourteenth birthday.
Once past the door and in the room, no floor or walls could be felt. Seth glided through a room of starry night sky towards the Great Wizard. With the cylinder of starlight circling down on the Great Wizard's beard and large, blue hexagon hat and rustic wooden desk, the Wizard under his eye shadow and blush blinked at Seth and studied him, while the young teen lowered his head.
The Wizard, Valvus, blinked at Seth with an expression as empty as his desk. “I’m sad to tell you this is the last time we’ll be meeting like this. You are growing up and will soon step into being the man that you will be the rest of your life. No more birthday parties.”
“That-that’s too bad.” Seth tried to hold back a smile.
“You don’t much like these parties do you?"
“Umm…no…not really…”
“Why do you suppose that is? It’s life; it’s fun! What about your room? Do you like your room?” A glare in Valvus eyes replaced their blinking. It cut past Seth's skin, up the vein over his thumb, and into his heart and thoughts.
“I…umm…” Seth sighed, “You’re all-knowing.”
“That I am. So how did you suppose that I wouldn’t find out about you attempting suicide?”
Seth paused and said, “I’m sorry…”
“Wrist-slitting shows a sort of dark madness wouldn't you say?"
"No, please..."
"And since that incident, you stopped reading your chapters, didn’t you?”
“Yes…”
“Seth, have you ever wondered, wondered why Jonathon advanced in swords, and you never did?”
“I –I use to.”
“Well, to help cure any curiosity that may dawdle, I will detail it to you. It’s simple, you have separate destinies. You read so much about Jonathon’s, but how much have you read about your own?”
“I’ve read enough!”
“Really? I have with me the chapter that I gave you for your birthday last year. The one you stopped reading.”
The Great Wizard outstretched his hand, opening one of his desk drawers, and then he levitated glowing thin grade of pages out of the drawer over to Seth. The pages flipped themselves like they were being blown upon. When they stopped on a page; Seth, unable to resist, read—
The son of darkness will be revealed; he will rule the evil forces and create his own city.
Seth could hear his heart, then a strange voice mumbling. He couldn’t tell where the voice came from or, over the drumming of his heartbeat, make sense of the mumbling. When the voice became clearer and familiar, it was Ward Phoenix saying, “Son of darkness, boy, just like your father.” Seth squeezed his eyes, hoping it would go away, but, when he opened them, a rod stood before him.
The Great Wizard gawked at Seth like the boy flew among two-headed black-birds. Then, Seth stormed away from the Great Wizard and the rod, swimming his feet in the starry room as fast as slow motion would allow.
Chapter 8
Veins
When Seth turned a pale, right wrist upwards, he'd see that a blue vein went right towards the thumb. Seth, for sure, wore scars across that vein.
There’s a time Seth learned his destiny. It’s a time happening now and then, for now and then is one in the same. Nothing happens before anything else. It all just floats around us in shining ornaments and reflects a desire to be actualized. The past, present and future are a merry-go-round of shining circles. I have eight years; eight years represented by eight floating ornaments that show all that got me here.
Now, in Dreammore all important folk seem to be proceeded by hallways. In one ornament floating around my head I see my feet skipping down an emerald hallway; I see my rod soaked in Lucifer's blood as I skip away from the glass double doors. Emarald base and blood drops lay beneath my skips, as I skurry. For a moment my feet stop. I hear my spit and see the head of Lucifer's Redbird, with it's beak in tack, land on the emarald. My feet skip again, leaving the head where it lay.
And in another ornament, I see Seth's brown boots walking down a hall. There's a classical piano sound, not playing from any instrument but by magic, and candles dancing with not life but enchantment. Let's focus in on this ornament and go back...
That hallway that led to the Great Wizard had the feel of cement under Seth's brown boots and black cloak. However the floor or walls could barely be seen, just dancing candles floating in mid air emmitted some light onto them. Into the Great Wizard’s office, Seth pushed the door by the large golden handle. With caution he went in to receive his final present for his fourteenth birthday.
Once past the door and in the room, no floor or walls could be felt. Seth glided through a room of starry night sky towards the Great Wizard. With the cylinder of starlight circling down on the Great Wizard's beard and large, blue hexagon hat and rustic wooden desk, the Wizard under his eye shadow and blush blinked at Seth and studied him, while the young teen lowered his head.
The Wizard, Valvus, blinked at Seth with an expression as empty as his desk. “I’m sad to tell you this is the last time we’ll be meeting like this. You are growing up and will soon step into being the man that you will be the rest of your life. No more birthday parties.”
“That-that’s too bad.” Seth tried to hold back a smile.
“You don’t much like these parties do you?"
“Umm…no…not really…”
“Why do you suppose that is? It’s life; it’s fun! What about your room? Do you like your room?” A glare in Valvus eyes replaced their blinking. It cut past Seth's skin, up the vein over his thumb, and into his heart and thoughts.
“I…umm…” Seth sighed, “You’re all-knowing.”
“That I am. So how did you suppose that I wouldn’t find out about you attempting suicide?”
Seth paused and said, “I’m sorry…”
“Wrist-slitting shows a sort of dark madness wouldn't you say?"
"No, please..."
"And since that incident, you stopped reading your chapters, didn’t you?”
“Yes…”
“Seth, have you ever wondered, wondered why Jonathon advanced in swords, and you never did?”
“I –I use to.”
“Well, to help cure any curiosity that may dawdle, I will detail it to you. It’s simple, you have separate destinies. You read so much about Jonathon’s, but how much have you read about your own?”
“I’ve read enough!”
“Really? I have with me the chapter that I gave you for your birthday last year. The one you stopped reading.”
The Great Wizard outstretched his hand, opening one of his desk drawers, and then he levitated glowing thin grade of pages out of the drawer over to Seth. The pages flipped themselves like they were being blown upon. When they stopped on a page; Seth, unable to resist, read—
The son of darkness will be revealed; he will rule the evil forces and create his own city.
Seth could hear his heart, then a strange voice mumbling. He couldn’t tell where the voice came from or, over the drumming of his heartbeat, make sense of the mumbling. When the voice became clearer and familiar, it was Ward Phoenix saying, “Son of darkness, boy, just like your father.” Seth squeezed his eyes, hoping it would go away, but, when he opened them, a rod stood before him.
The Great Wizard gawked at Seth like the boy flew among two-headed black-birds. Then, Seth stormed away from the Great Wizard and the rod, swimming his feet in the starry room as fast as slow motion would allow.
Who's banging who?
I grew up on Super Mario, Zelda, Secret of Mana, final fantasy 7 and 8....
For the record I don't think princess toadstool took Mario's plunger...I think that's part of his allure to save her...I think he never got any but was driven by the hope of even a kiss...she didn't love him.
But who in those old games were getting laid?
For the record I don't think princess toadstool took Mario's plunger...I think that's part of his allure to save her...I think he never got any but was driven by the hope of even a kiss...she didn't love him.
But who in those old games were getting laid?
Dark City
He presses the gas, looking at the face of the helmet to his left in his lane on highway 66. Every car and bike has nothing but headlights to guide them. He's a bike. He's never seen the sun. Light is a bulb emitting a path. That's light.
He takes a left off highway 66 onto whore street. He brakes. Then, stepping his left leg over the pad, his feet touch the hard pavement. There's a black chick. He grabs her ass. "I'm president Sea. He says. Let's have fun."
"President? Ha! You grab my ass and call yo self dat? What da hell wrong with you. You fucked dis place up! Grab my ass and tell me dat? We grown ass people and look at you in those jeans! Make some damn sun shine like our fathers talked about then come back. Grabbing my ass and calling you self dat! My cousin gonna kick yo ass!"
He takes a left off highway 66 onto whore street. He brakes. Then, stepping his left leg over the pad, his feet touch the hard pavement. There's a black chick. He grabs her ass. "I'm president Sea. He says. Let's have fun."
"President? Ha! You grab my ass and call yo self dat? What da hell wrong with you. You fucked dis place up! Grab my ass and tell me dat? We grown ass people and look at you in those jeans! Make some damn sun shine like our fathers talked about then come back. Grabbing my ass and calling you self dat! My cousin gonna kick yo ass!"
What's your genre; what do you want to impress?
Simply put what tattoo do you want to make permanent in the player's mind, nay, in their heart? What feeling do you want to leave them? What impression do you want to burn inside their memories?