MALADROITHIM'S PROFILE

I've been a member of the community for something like 10 years and have noticed that its single biggest adversary is eneral disinterest on the part of its members in other's games. To make even a second-rate game can take hundreds of hours and months to years of one's free time, and it's crushingly disappointing to see that nobody is interested in the majority of our homebrew games. Newer and younger members tend to be less discerning in what they are willing to play and will play anything, but that represents a relatively small body of people at any given time and at any community. A creator of a game who has put long hours in a computer chair into a homebrew game is rightly unsatisfied by only a few dozen or few hundred downloads and a handful of reviews. A small number of RPGMaker games and game creators are extremely popular, but a small circle of iconic creators is not enough to sustain a healthy community.

Why are people not playing the games? It's popular to blame this phenomenon on individual arrogance, and that our community would thrive if its members would simply put more effort into it. There are hundreds of members even at small communities like this one, and thousands of members at sites like Gaming World and RMXP.org. This doesn't factor the enormous number of lurkers that scour community sites for good (or bad) games. If our members would get off of their pomp kick and download something, we'd be a lot better off, right? Maybe, we would, but I don't think that is the proper solution. It doesn't solve the underlying problem.

I suggest that the problem lies in the fundamental standards of the community and in the goals of the projects themselves. Very few of our games are ever finished. On the other side, absolutely every 40-hour RPGMaker epic makes fundamental sacrifices in key areas in order to achieve completion. In both cases the result is a disappointing game experience that either leaves us wanting more or us quitting before it's through.

Our community has an unhealthy obsession with long cutscenes telling stories that nobody cares about (let's be honest) and obtrusively-decorated game maps filled with so much superfluous decoration (AKA Three-Tile-Rule) that the creator forgets about level design. Many maps are pretty but are no more sophisticated than basic corridor crawls. Man authors tout brilliant game design and give us broken technical demos with lots of numbers and long acronyms in their battle systems.

I propose that we as a community focus development on creating games with:
1. Compelling gameplay
2. Reasonable scope and
3. Unique Presentation

Compelling gameplay is something that is largely misunderstood in our community. Crunching numbers is not inherently fun unless the numbers are finely balanced and the rewards substantial. Many creators feel the core mechanics of RPGMaker are lacking (they are) and remedy this by stealing gameplay systems from Tales Of games. They create convoluted gameplay systems with ridiculous multi-syllabic names (Custom Toilet Aim System). Many diehard fans of RPGs insist that Dragon Quest games have the finest RPG gameplay around, and there's a reason for that -- Dragon Quest is light on features, but heavy on design. For a better discussion on game design, refer to Kentona's excellent series of articles called FUNdamentals of Game Design.

I generally find that games with a reasonable scope are non-existent in our community. Many of the top games, including my own, are just the first portion of what would otherwise be a sweeping adventure. Only a few long RPGMaker games are worth playing all the way through, and most of the incomplete games are pretty bad anyway (I hear they are supposed to pick up after chapter 1 but we'll never know!). Many of our most talented creators have never finished a game or even released anything (WIP), primarily because their projects are too ambitious or dependent on teamwork that doesn't come through. We are all trying to make Final Fantasy games, and we shouldn't be.

The most successful and interesting indie games on the internet tend to be titles like Desktop Tower Defense, Cave Story, and Lost Labyrinth (my personal favorite). These titles all have in common ba very specific objective and a scope that is reasonable for the creator to accomplish in a realistic timeframe. Cave Story, for example, is a very simple platformer with basic graphics that are intentionally a throwback but also an obvious development shortcut. A competent programmer or a skilled middleware user (for a game of that type Game Maker comes to mind) could develop a similar engine and have a working prototype out over a weekend. Similarly an experienced RPGMaker user could make prototype for a game like Lost Labyrinth in a day. While our community is spending countless hours trying to perfect maps assembled from resources stolen from Super Nintendo games, clever creators are spending much less time making games that are a lot more fun.

These games are more fun because the creator has time to focus on what actually makes a video game fun. Cave Story is not a very ambitious game technically and that gave the creator license to focus on brilliant level design and a very charming overall atmosphere. Kentona has done a similar thing with his game Hero's Realm -- he decided to focus exclusively on building a team of characters from standard RPG archetypes and putting them through a dungeon. Regardless of what you feel about his game, Kentona and his fans can rest assured that the project is a smashing success. It defined a narrow objective and achieved it. How many of the members of this community can say they have actually been successful in meeting their project goal? Enterprising homebrew developers set goals that they can accomplish. By doing this, they can release game experiences that are not only complete, but fully-fleshed. More importantly, if we as hobbyists are able to meet our goals, our persuits are much more emotionally fulfilling.

Unique presention is a goal that is actually easier to meet than we all think it is. Not everybody has an artist or can make their own art and has to rely on pre-existing assets, but that does not exclude them from having novel presentation. Sprite edits are a popular choice, because it makes an individual game's heroes look unique and is really easy to do. This is a great first step and in my opinion is a prerequisite for any homebrew RPG. Absolutely nobody wants to play a game where they have control over characters they are already familiar with. Custom graphics are always encouraged, and even if you are a mediocre artist, your second-rate graphics will probably look better than something you ripped off of another game. However, even a game full of original art does not address the basic issue that many RPGMaker games feel like RPGMaker games. If a game feels like an RPGMaker game, then it does not feel unique and will probably be inherently boring. This is the problem of presentation.

We already know that artistic talent is the first, best way to make your very special game feel unique. In the absence of an art staff, one solution lies with code. A great example is the custom systems in Legend of the Philosopher's Stone. Legend of the Philosopher's Stone is not really that interesting of a game by RPGMaker standards, but because it has its own menus and its own battle system, it feels like its own game and is automatically more fun. Key to the game's success is that the custom systems work, they are polished, and they are fairly inventive and pretty fun to manipulate. Legend of the Philospher's Stone is a massively popular game. Incidentally, it's special systems are the only reason. The game design and writing are competent, but so are those of every other RPGMaker game. I'm sure nearly any member of our community can make a game with core elements as interesting as Legend of the Philosopher's Stone. The game is special because it plays differently. We have more fun when we play it, because when we push buttons, the results are a little different.

However, you can still make a game feel unique without original graphics or lines of code. Kentona's Hero's Realm, for example, uses RPG Maker 2003 RTP graphics and sprite edits from Final Fantasy IV. It's a novel thought, and it works. The par for the course for RPG maker 200x is that the sprites are two tiles tile. Kentona's sprites are ingeniusly only one tile tall. The basic proportion of map objects to sprite is changed by the tiny square sprites, and it feels a little different than a typical RPG Maker game. Without coding custom systems or drawing his own art, Kentona was able to make his game feel a little different from most other RPG Maker games. It didn't take much work -- just a touch of creativity. Similar little innovations can make a world of difference in making your game successful.

Our community needs to approach game creation differently if it hopes to thrive. Most of us are making boring games that nobody wants to play. If we focus on the three basic elements of compelling gameplay, reasonable scope, and unique presentation, we will be more successful in accomplishing project goals and making games that are more fun to play. Specific and manageable objectives flavored with a solid foundation of good game design and a touch of creativity result in better games. Better games increase community participation. What does community participation lead to?

Well, leads to more people bothering to play, and maybe even enjoy, the homebrew game that you have devoted a very valuable piece of your life to.

I will be releasing a game in RPG Maker VX.

As a sidenote, I would like to encourage the term homebrew instead of indie for what we do here. Indie games in my opinion are things like Aquaria or Everyday Shooter while homebrew games are more like what we do here (things made up with middleware and/or royalty-free resources).

I'm sure you're asking for advice and feedback so:

There's a lot of pillow shading going on, which artists generally discourage, but you definitely get the idea and show a lot of potential. Her head and face are particularly good. While it's clear that you understand shapes and how shapes are conveyed by how light falls on them, you are using way too many "transitional" shades of color in-between. This is called "pillow shading" because it makes everything look like a pillow.

Because I'm also a complete novice to art, I'll recommend a method that I've found helps a lot to get started out: In general, try to only use three or four shades of color at the most (especially with anime or cartoon styles). In the real world, objects generally have places that light reaches and places where light doesn't reach (shadows). If the object is very close to the light source, there will often be a third, brighter shade where a lot of light reaches. Cartoon art such as what you are making is usually much more effective if you use only a few shades of each color. Shading gets much more sophisticated once someone is a good artist (which I am certainly not), but when starting out it's best to try and use a smaller number of more effective shades.

Also it's pretty awesome that she looks exactly like your girlfriend.

I like the functional in-game sprite. It's really good! If you used it in-game, I'd recommend that you add more motion that a cape blowing in the wind; it's more interesting if the character is bouncing up and down or whatever. It's a lot more work, but the main characters are the most-used graphics in the game and should always get a little extra attention.

Anyway I came across as pretty negative, but really I'm impressed. Your pixel art is definitely good (especially functional game art). I just wanted to give you the advice that I am currently trying to follow since we seem to have the same shortcomings when it comes to art.

I take it you aren't planning on upgrading to XP or VX or something because your sprite is low-res?

author=kentona link=topic=622.msg8292#msg8292 date=1201793010
It's funny, because it is a great time to look for a job in Regina. We're booming right now. Line cooks at East Side Mario's are being offered $3000 signing bonuses.

Pretty much everywhere in America, employers have the attitude that they should not be grateful for your work but that you should be grateful that they were willing to hire your sorry ass (PS you are completely replaceable so don't get cocky or ask for a raise).

I have never played a Call of Duty game. I generally like shooters so it's actually pretty unusual that I have never played one. I would have picked up the most recent Call of Duty 4, but since there were so many awesome shooters last Fall (and I had played most of them) I decided to let that one pass.