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I'm sorry for this :'(
But it will make your muscles bigger.


Blobofgoo
Legs are a burden. Return to snek.
2751
I made this: Dancing On Starlight
I'm stilling adding parts, and the piano gets a little wonky at parts. What do you guys think?
Here's a couple of my recent tracks.

1) Despondency
I was going for a somewhat dramatic orchestral piece. I still work on it occasionally, but that one is done for the most part.


2)Fly So High
I got bored one day, so I brought Aldos Othran's hit single to life. Not an entirely serious song and I don't know how often I'll even work on it.
Hey Guys!

Re: Blobofgoo on "Dancing on Starlight" and Rast on "Despondency," I really liked these tracks, but wondered what software you were using? I noticed that the melody notes weren't as joined as they could be, maybe you were going for that effect? If you haven't already, maybe experiment with using slurs to smooth it out a little? See if you like it anyway. :)

These are two tracks of mine;

Ice music - https://soundcloud.com/natasha_gita/ice-music
&
Seaside - https://soundcloud.com/natasha_gita/seaside

Let me know what you think?
author=Blobofgoo
I made this: Dancing On Starlight
I'm stilling adding parts, and the piano gets a little wonky at parts. What do you guys think?


This is a nice piece, but I think the trumpets are providing too many lines of harmony, making it sound very loud and dissonant at certain points. It could also be the tuning of the samples, but my computer can't really run this website, so its hard to tell.

- - -

author=Natasha_Gita
...
Ice music - https://soundcloud.com/natasha_gita/ice-music
...
Let me know what you think?


That actually sounds pretty interesting. So, does the fade-out at the end mean there's a full version, or are you just ending it there for now?
author=turkeyDawg
author=Natasha_Gita
...
Ice music - https://soundcloud.com/natasha_gita/ice-music
...
Let me know what you think?


That actually sounds pretty interesting. So, does the fade-out at the end mean there's a full version, or are you just ending it there for now?


This one is just a short loop ( I originally intended to be for a short 1 minute game level) so where it fades out it begins again at the beginning. :)
I posted this over at rpgmakerweb's music thread, but that thread doesn't get much love:

http://soundcloud.com/a-very-long-rope/osaka-konnichiwa

I'm going to try to use that as a modern city theme in a future project, but it's one that I don't really have the confidence to make alone, so right now that song's just going to kind of be in THE ARCHIVES.
Hey, a double post:

https://soundcloud.com/a-very-long-rope/new-applications-of-quantum-1

This is the first metal thing I've written in Reason; I think it turned out pretty sweet.

Edit: I added a couple of bars of silence so the track would loop better.
Hello guys. I've been a musician for over 10 years, composing stuff for different genres. Now, I'm trying to hone my craft when it comes to making music for clients with specific needs.

By the way, here are the links to my folios:

https://soundcloud.com/florenz-dominic-sison
https://soundcloud.com/parusa-pilipinas
https://soundcloud.com/florenz-sison

http://www.youtube.com/watch?v=Fe9DV1-OqYM

http://www.youtube.com/channel/UC_9Yh7rOWyl5DZCNcZ2MnvA

Best,
Florenz

florenzsison@gmail.com
HAY Here's a track I did for a synthpunk compilation about two years ago.
@Housekeeping - Oh wow another Reason user, a rare breed. Maybe you can help me learn how to make stuff that doesn't sound so much like ass.
The first step is to stay away from fart synthesizers.

Ahem.

I used MIDI programs for a long time; Reason is a relatively new program for me, but I certainly love it. As far as I'm concerned, the important thing is to have a strong musical backbone, as I'm certainly using only a fraction of Reason's features. On a song I worked on last week, for example, I just figured out how to fade out, haha. If you want to talk shop, I can critique your work or try to struggle through learning more of Reason's features with you.
Reason's pretty versatile. I really dig its soft synths and the way its drum machine works. It's become near-perfect now that you can finally record external audio sources into projects.
@Housekeeping - I was sorta kidding a little bit (I do think my mixing sucks tho) but Reason users are kinda rare around the RM community compared to folk who use FL Studio. I do have some meager bits and pieces up at http://www.soundcloud.com/draggingthemoon though, feel free to comment.

@nurvuss - not when you're still using Reason 4 like me :D But yeah I have a lot of love for Reason's design as a program and the workflow/devices, even if it is a little limited by being self-contained.

Here's some music I've written.

This is a song I composed for my big band album that was released in the summer of 13:

Chris is How We Drew It

Here's a few pieces from a new retro-styled project I am working on to be released commercially:

Airship Theme

Underground Cave

Darrio's Theme


Here's a few pieces from a new retro-styled project I am working on to be released commercially:

Airship Theme

Underground Cave

Darrio's Theme


This is great stuff, the underground theme especially has a great atmosphere to it.
author=NewBlack
@Housekeeping - I was sorta kidding a little bit (I do think my mixing sucks tho) but Reason users are kinda rare around the RM community compared to folk who use FL Studio. I do have some meager bits and pieces up at http://www.soundcloud.com/draggingthemoon though, feel free to comment.


Your stuff generally does a good job of setting up an atmosphere, which is definitely a good method for writing background music. Personally, I'd try to vary the instrumentation and play with rhythm a bit more, but that might get in the way of your atmosphere. Your unfinished battle theme was the most interesting track to listen to since it plays with a few more elements.

I think Distressed Signals could be really cool if you played with the rhythm of the little fwip sound that repeats through the entire song, maybe even using it to distinguish sections. I always appreciate changes when they occur in minimalist stuff because your ear gets so accustomed to the pattern (or similar patterns) that when a more dramatic change occurs it kind of snaps you out of a trance. I wouldn't recommend doing that to many of your songs, but Distressed Signals might benefit from that if you ever return to it. Whenever I hear one song repeat over the course of a song, it kind of needles me. I used to like Electricity by OMD until my ear started fixating on the little air compressor sound that repeats through the whole song, and now all I can hear when I listen to it is fweh fweh fweh fweh fweh fweh fweh fweh.
Doublepost for the sake of METAL:

https://soundcloud.com/a-very-long-rope/a-cocoon-throbbing-in-a-dead

I swear I'm not going to put the entire soundtrack up here, but I thought this boss theme turned out really badass.
@Housekeeporz - Reminds me a little bit of Genghis Tron or The Algorithm. Shame about Reason's guitars being terrible though. I actually spent many hours "making" (using the Combinator to put devices together and changing many params) better guitars for Reason but alas they are now gone along with the rest of what was on my external HDD. I'd recommend trying it yourself, though - try running your guitars through distortion (or the Line 6 amp modelling if you have a newer Reason than me) EQ, reverb, chorus, phase etc (you'd have to play it by ear though D: I have no recollection of exactly what I did to get the sounds I got)

Unless, of course, you happen to like the "almost MIDI" sound the default heavy guitars in Reason have D: